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...diarrhea, and babies with diarrhea extract fewer nutrients from the food they eat, aggravating the malnutrition. Bottle formulas lack the immunilogical benefits of breast feeding, which are especially key in unsanitary conditions. Scientists believe that immunity probably comes from the initial dose of antibodies in the colostrum (the yellowish fluid that comes from the mother's breast a few days after birth). Without the antibodies, babies are prone to common intestinal infections when bottles are not sterilized...

Author: By Bob Grady, | Title: Profits and Babies | 4/28/1978 | See Source »

...fairness, there were one or two enchanting moments. The second act consisted mainly of a lengthy dream-sequence where the Princess Aurora and her attendant nymphs danced before the bedazzled Prince. Here the ensemble choreography abandoned the conventional interlocking straight lines, and worked a tapestry of fluid configurations. Dancers bordered the stage in an open rectangle, clustered in a small circle, dipped into a deepening zigzag, or fell to the floor in a smooth oval, their long gowns floating out around them like water lily-pads. When the curtain fell, the patterns lingered in the mind like a figure-skater...

Author: By Juretta J. Heckscher, | Title: A Flawed 'Beauty' | 4/11/1978 | See Source »

...door into the clinic building, Gilmartin presses some pamphlets into her hand. One, with color photographs of discarded fetuses, has big black words: HUMAN GARBAGE. "Did you know this is how big you were when you were only eleven weeks old?" the pamphlet asks. "From then on you breathed [fluid], swallowed, digested and urinated ... No new organs began functioning after that. You just grew more mature...

Author: /time Magazine | Title: Nation: Stacy's Day at the Abortion Clinic | 4/10/1978 | See Source »

...Milt's fluid, unshakeably cool, melodic style is the essence of good jazz. His professionalism, musical integrity, and perfection is the essence of dedication to his art. That ought to get me a free seat. Maybe...

Author: By Scott A. Kripke, | Title: Milt and Cookies | 4/6/1978 | See Source »

...This time he played Mozart's 21st piano concerto, K. 467, a work which lacks much of the flamboyance and virtuosity of the high French romantic style, and which is therefore much more difficult to bring off convincingly. As before, Kogan generated a great deal of excitement with his fluid dexterity and remarkable technique, but he also responded well to the subtler musical challenges of Mozart. Throughout the first two movements he demonstrated his ability to play with emotive expansiveness while maintaining the lightness and delicacy of the music. Occasionally, however, the performance seemed to lose momentarily its sense...

Author: By Forest L. Reinhardt, | Title: A Sampling of Centuries | 3/21/1978 | See Source »

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