Word: flute
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Dates: during 1930-1939
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Prokofieff: Peter and the Wolf (Boston Symphony, Serge Koussevitzky conducting; Richard Hale, narrator; Victor, 6 sides). An engaging "orchestral fairy tale," full of duck-quacks (oboe), bird-twitters (flute), wolf-growls (horns), jovially rendered by the Bostonians who gave it its first U. S. hearing last year. Album of the month...
Included on the program are Besthoven's Trio in B flat major for clarlast, violoncello, and piano, Op 11; Villa-hobes, Choros No. 2 for flute and clarinet...
...entirely to chamber music. This program comes closer to home chronologically, for, although it opens with the Beethoven "B-Flat Trio for Clarinet, 'Cello, and Piano" and closes with the Mozart "String Quintet" (two violas), the rest of the program is made up of modern works: "Choros II for Flute and Clarinet" by Villa-Lobos, a short rhythmical piece of great difficulty; "Three Counterpoints" by Honegger, which are gay pieces in spite of their academic form; and the second performance of Piston's "Sonata for Violin and Piano" (Mr. Piston will be at the piano...
Besides the diet of beer and pretzels at the Pops, there has been plenty of substantial musical fare available, since the end of the regular season. Last week the Lincoln Symphony concert on Thursday evening was unexpectedly good, especially n the performance of the Mozart concerto for flute and harp. Probably the best concert of the week, however, was the Friday night Open House at the Longy School. The program was made up entirely of early eighteenth century chamber music which is at its best in the atmosphere of intimacy and informality which these recitals always have. The concert...
Mozart: Die Zauberflote (Berlin Philharmonic, Sir Thomas Beecham conducting, with Tiana Lemnitz. Erna Berger, Helge Roswaenge, Gerhard Hüsch and other artists; Victor: 2 volumes, 3-7 sides). The 18th-Century Masonic symbolism ol Mozart's great, quaint, rollicking fantasy-opera The Magic Flute is pretty vague to present-day audiences. But the music is some of the most beautiful Mozart wrote. Its first complete recording, less perfectly tooled but more spectacular than the Glyndebourne Don Giovanni (TIME, Oct. 3), is the record of the month...