Word: flute
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Dates: during 1950-1959
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...membership question was not so easily disposed of. Complaints in 1832 about the Sodality's serenading led the University to ask the four members to resign, but Henry Gassett '34, the flute player, refused. For two years he met with himself, wrote up the minutes, played to himself, paid dues, and probably drank with himself. His Pierian spirit gradually attracted other musicians so that they were strong enough to found the Glee Club in 1834, and to play for a Porcellian Club entertainment...
...main trade route from the bedroom to the bathroom." When he stays out late with girls or comes home with liquor on his breath, he is treated to his mother's virtuoso sighs: "She was a kind of Toscanini of the sigh. She ranged from a lonely flute to a sixty-mile gale...
...more. A brilliant raconteur, ad-libber and dialectician, he speaks French, German. Italian and Spanish (plus devastatingly accurate American of several regions), gives funny, plausible imitations of languages he does not speak, e.g., Russian with a Japanese accent, can make noises like a talking dog. a bugle, a violin, flute, bassoon or harpsichord. He is halfway through the script of a novel. And he has been doing this sort of thing for half of his life. Says Ustinov: "This talk of Wunderkind gets more intense as I grow older and the white hairs crop out in my beard...
...controlled sound that could sing with a clean vibrato or a finely trimmed staccato, swell robustly and solidly with no trace of the breathy "air sound." Under Mule's scurrying fingers, the saxophone sometimes took on the quick sheen of strings, or the water-clear inflections of the flute, or the warm quality of the bassoon. Gone were the wah-wahs and wobbles, the slithers and wai.s of the pop saxophonist...
Behind his Harold Lloyd glasses, Willson still looks much like the round-eyed boy wonder who packed up his flute at twelve and left Mason City for New York and a career as a versatile but erratic musician. At 19 he was good enough to play with John Philip Sousa, at 22 was playing under Toscanini with the New York Philharmonic. In 1929 he defected to radio, for the next two decades whipped up foamy musical souffles and sprightly chatter for such shows as Maxwell House Coffee Time, The Big Show. Along the way, he tried his hand at anything...