Word: flute
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Dates: during 1960-1969
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Every action was motivated, every sound made sense. Even the customarily foolish flute cadenzas were transformed into an eloquent cascade of accusation, bitter mockery and, finally, deranged wailing. The voice sparkled and soared, flicking through the florid intricacies of the music with the phenomenal speed and accuracy that have made Sills one of the most spectacular singers in the world. When the last high E-flat had died away and Lucia had toppled in death, the benefit audience, many of whom had paid $100 for their seats, shouted and clapped for seven minutes while Beverly Sills paced before the curtain...
...writhe into the moonlight, sleepily. One may identify with her, or them, but either way one finds Rousseau's image pasted permanently to the back of one's brainpan. Those serpents keep on slithering through the jungle of one's own nerve endings, while that level flute pours silence drawn from striped pools. Gilbert Stuart's Flautist is a man cut off from that silence, from wife and children, village, home. He sits soulnaked, haltered in other men's finery. Stuart, the master ironist who gave us a grandmotherly George Washington, here portrays a burnt...
BILL EVANS AND JEREMY STEIG, WHAT'S NEW (Verve). Pianist Evans and Flutist Steig make an effective team. Evans' controlled, persuasively lyrical solos tend to loosen up when goaded by Steig's frenetic flute, and his perceptive accompanying helps tone down Steig's demonic soarings. Particularly on What's New, Lover Man and the Spartacus Love Theme, the interaction results in near-perfection...
...relinquished all royalties on his works so that an edition of Bruckner could be published; a man who said just before his death that "poor Schoenberg will have no one left"; a man who spent all of his precious years perfecting his interoperations of Tristan, Fidelio, and The Magic Flute; a man who read Kant aloud to his wife during Children. The following tentative remarks are intended only to be suggestive, hopefully with minimum distortion, for to slightly alter Artur Schnabel's dictum, "Great composers are greater than they can be explained...
...Pied Piper of physical fitness" is how he styles himself, but the man of Hamelin could never hold a flute to the Rev. Bob Richards. At 43, the former Olympic pole-vault champ and Wheaties pitchman is jogging and biking 3,000 miles across the U.S. in a one-man campaign "to get Americans off their duffs," as he puts it, and impress upon them the need for health-giving exercise. Last week, having already swum the turbulent Colorado River and trotted across the Rocky Mountains, he was in Indiana, heading relentlessly eastward toward New York. "At every stop," says...