Word: flute
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Dates: during 1990-1999
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Waddell designed the costumes for the productions of Giasone and VI: Six Student Operas this semester and will also be costume designer for the Dunster House Opera The Magic Flute in the spring. Though Waddell worked on costuming in various school musicals before coming to Harvard, her focus has been primarily on fashion. She started making clothes from scratch her first year in high school. Since then designing clothing has been a passion of Waddell's--a passion she was able to actualize in her own fashion show in Kansas City...
...cross between Grendel and a raver. Touched with the horrifics of a child's dream, the monster nonetheless conserved an impeccable stylishness that quite outshone the pantalooned prince in their operatic duel. (The Jabberwocky's vest came from Waddell's own closet.) The Dunster House production of The Magic Flute is promising as an outlet for Waddell's fantastic inclinations--she will be creating all of the costumes for the show from scratch and views it as her first real opportunity to showcase her work at Harvard...
...into a little rock and sway with "Soft Shoulder," a somber song of lost love. In another abrupt yet effective change-up, the bouncy "Swing" may have you grooving to the bass, sax and scratchy vocals. DiFranco receives some stellar support from guest artists Maceo Parker (playing sax and flute on several tracks) and the Artist (backup crooning on "Providence"), both of whom add distinct flavors to DiFranco's funkiest album...
...close to ten minutes. They were laced with numerous guitar solos and fuzzy distorted interludes, which provided a solid bed of noise upon which interesting stuff happened. Most of that consisted of various sounds produced by lead singer Isobel Sollenberger--not just from her voice, but also from her flute and violin, which consistently gave the tunes some high-pitched variation. Although her lyrics were totally incomprehensible, her voice sounded quite nice as a complement to the rest of the band, which was loud and distorted...
...created with one brother in Japan and the other in England. That internationalism pervades into the album, which layers African singing over jazz- and Latin-influenced four-four house beats, throwing in a touch of disco along the way. The production is flawless, and the percussion work and lush flute on "Kariba" is infectious. And their dance music credentials come to the fore when the album finds its groove, as it does with the deep vocals of "Got to Find a Way." There's a too-much-of-the-sameness in the last few instrumental tracks, which seem indistinguishable...