Search Details

Word: fluted (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Paul Rosenbloom does course work for his independent study in grand style: a full performance of two Mozart piano concerti. Conducted by David Evans, the only person at Harvard besides Gerry Moshell with a private string orchestra. DUNSTER HOUSE LIBRARY. Chamber music of Debussy: Trio for flute, viola and harp; Schubert; Stravinsky. Free. Friday, November...

Author: NO WRITER ATTRIBUTED | Title: Classical | 11/29/1973 | See Source »

...third piece owes its success to Stephen Hammer, the oboe soloist. Originally written for flute in D major, this piece is now the Oboe Concerto In C. As such it provides an opportunity for a mellower and richer sound, which Hammer certainly provided...

Author: By Ellen A. Cooper, | Title: Mozart at Midnight | 11/20/1973 | See Source »

April Showers and Gerry Moshell lead a recital of chamber music for flute, piano, bassoon, and guitar. Another concert in the Holmes Hall Series which is approaching a Dunster-esque level of activity...

Author: NO WRITER ATTRIBUTED | Title: Classical | 11/15/1973 | See Source »

Yannatos showed further short-sightedness when he rotated the instrumentalists within his wind section--an extraordinary policy which resulted in a superb flute performance in Stravinsky's Petrushka and then abysmal, brittle, out-of-tune music from the flutes and oboes in the Dvorak. The sloppy wind performance in the cello concerto obscured a strong effort by the strings to match at least partially the virtuosity of Starker...

Author: By Charlie Shepard, | Title: The Two Faces of Janos | 11/7/1973 | See Source »

...other two members of the concertino, flutist Barbara Jacobson and violinist Ronan Lefkowitz, were excellent in different ways. Jacobson was a model of reserve, barely moving as she played with a rich tone in the modern flute's lower registers. Lefkowitz, far more demonstrative, played the occasionally showy violin part with a good deal of flair. He communicates a sense of awareness of the music, suggesting he has thought about it and knows exactly the sound and effect he wishes to project...

Author: By Kenneth Hoffman, | Title: Concerto Program at Kirkland | 10/17/1973 | See Source »

Previous | 96 | 97 | 98 | 99 | 100 | 101 | 102 | 103 | 104 | 105 | 106 | 107 | 108 | 109 | 110 | 111 | 112 | 113 | 114 | 115 | 116 | Next