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Myth tells us that the god Apollo, whose instrument was the lyre, was challenged to a musical contest by a coarse satyr named Marsyas, who had learned to play the flute. Marsyas lost, and Apollo skinned him alive. In our day, this draconian triumph of reason over instinct has been reversed: Marsyas, the unrepressed goat-man, has won; the Rolling Stones are one of his incarnations. Unlike the Beatles-the very prototype of nice English working-class lads accepted everywhere, winning M.B.E.s from the Queen-the Stones from the start based their appeal partly on their reputation as delinquents. They...

Author: /time Magazine | Title: Time Essay: The Stones and the Triumph of Marsyas | 7/17/1972 | See Source »

...live mix, but they added occasional embellishments to a decidedly unembellished music. And when they did, their contributions were both fresh and tasteful, like the guitar-sax phrase traders in "Lovin' Me," and the chorus on "Peace of Mind," with its slightly mournful, gospel tinge. Clarke played a pretty flute transition between "To Make a Woman Feel Wanted," and "Peace of Mind...

Author: By Frederick Boyd, | Title: Spirits in the Sky | 7/11/1972 | See Source »

...what a Jewish wedding it was. A trumpet blast, and the 55 guests climbed to their seats on a hillside overlooking San Francisco Bay near the home of Bride Daria Halprim, who starred in Zabriskie Point. The music began as a composition for synthesizer, ram's horn, flute, and a Yemenite trumpet recorded especially for the wedding. Then, to the melody of a flute song, Daria, in a purple velvet Navajo dress, walked to the bridal canopy designed by her father, Landscape Architect Lawrence Halprin. After the ceremonial crushing of the wineglass under Hopper's foot, everybody danced...

Author: /time Magazine | Title: People, May 29, 1972 | 5/29/1972 | See Source »

...dominant role in the piece. Playing the piccolo trumpet. Robert Hazen noticeably tired in the final allegro, missing some high notes altogether and parts from sixteenth-note sequences. In the first movement, though, he was in much better from with a beautifully quiet tone that blended well with flute, oboe, and strings. peter Weiss played oboe unevenly: he was not sensitive to the dynamics of the other players, and he occasionally made subordinate parts far too loud...

Author: By Kenneth Hoffman, | Title: A Farewell Concert | 5/16/1972 | See Source »

...screeching duet of violin and clarinet whose tessitura was in no way balanced by the later addition of piccolo. The players maintained a remarkable faithfulness to pitch, extremely difficult in view of the ranges they were forced into. The fourth In Nomine was a beautiful Debussy-like flute and harp duet over viola and cello accompaniment...

Author: By Kenneth Hoffman, | Title: A Farewell Concert | 5/16/1972 | See Source »

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