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...reduced to signalling huge downbeats in an effort to get his musicians together again. Problems of execution obscured most of the composition's mordant sense of humor. The one saving grace was the frequent konzertante nature of the writing, which provided an opportunity for some brave solo work by flute, saxophone, and trumpet...

Author: By Robert G. Kopelson, | Title: Harvard Band and Wind Ensemble | 12/4/1967 | See Source »

...into jazz pieces and film scores (Woman in the Dunes), but it is his avant-garde compositions that have made Takemitsu, at 37, Japan's leading exponent of a new, totally modern yet distinctly native musical style. He scored R I N G, a plaintive, murmuring piece for flute, lute and guitar, not with notes but with a diagram of a circle containing directional signals for time, dynamics and pitch. In Corona for Strings, he achieved wispy as well as grating effects by directing the instrumentalists to improvise on the basis of colored plastic disks superimposed on their parts...

Author: /time Magazine | Title: Composers: In an Icy Forest | 11/17/1967 | See Source »

...stunning impact. The strings whirred and chattered, spinning out a web of shimmering sonority into which the winds and brass poked tiny pin points, like stars among scudding clouds. Through it all one black-and-grey-robed soloist warbled the mournful, breathy tones of the shakuhachi, a bamboo flute, while another tapped the strings of the lutelike biwa with a wooden plectrum, suggesting the sharp, dry crunch of dead branches in an icy forest...

Author: /time Magazine | Title: Composers: In an Icy Forest | 11/17/1967 | See Source »

...country last week like firecrackers on a string. Manhattan's two companies faced off across Lincoln Center Plaza with year-old productions: the Metropolitan with its comfy,old-fashioned Traviata and the New York City Opera with Beni Montresor's fairy-tale setting of The Magic Flute. In neither case was the performance on much more than a ho-hum level; in fact, Spanish Soprano Montserrat Caballe's first Met Violetta seemed an almost deliberate throwback to the bad old days when singers were meant to be heard but not seen...

Author: /time Magazine | Title: Opera: Transcontinental Bang | 9/29/1967 | See Source »

...agency reporting, established in 1835 by Charles Havas. Used by the Germans for their own purposes, mostly propaganda, during World War II, the agency was forced to start from scratch as a government enterprise in 1944 under the name Agence France Presse. It played a slow, largely interpretive fourth flute to AP, UPI and Reuters for a decade...

Author: /time Magazine | Title: Wire Services: Under De Gaulle's Umbrella | 9/15/1967 | See Source »

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