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...Vivaldi: Concerto #2 in G minor for flute (D); Schumann: Fantasiestucke (RCA); Beethoven: Symphony #3 "Eroica" (V) Copeland: Quiet City (Per); Liszt: Preludes...

Author: NO WRITER ATTRIBUTED | Title: WHRB Program Guide | 3/18/1959 | See Source »

...Mozart: Divertimento in B flat, K. 287 (V); Prokoviev: Prodigal Son (Vx); Handel: Sonata for Flute and Continuo, Op. 1 #7 (D); Schubert: Die Schone Mullerin (Vx); Britten: Variations on a Theme of Frank Bridge (L); Adam: Giselle; Vivaldi: Concerto in G major for two 'Celli and orchestra...

Author: NO WRITER ATTRIBUTED | Title: WHRB Program Guide | 3/18/1959 | See Source »

...Gluck: Concerto in G Major for Flute and Orchestra; Stravinsky: Concerto for Violin in D; Dvorak: Symphony #5 in E Minor. Op. 95; Gabrieli: Canzonas for Brass Choirs; Tchaikovsky: Romeo and Juliet Overture...

Author: NO WRITER ATTRIBUTED | Title: WHRB Program Guide | 3/18/1959 | See Source »

...Kallinikoff-Symphony #2 in A minor (Per); Bach-Chromatic Fantasy & Fuge in D minor (Per); Pergolesi-Stabat Mater (D); Mozart-Quartet #14 in G major (C); Bernstein-Age of Anxiety (C); Handel-Trio Sonata in E for Flute, Violin, Bassoon, Harpsichord (HSLP...

Author: NO WRITER ATTRIBUTED | Title: WHRB Program Guide | 3/18/1959 | See Source »

John Harbison's conducting is becoming much more relaxed, without losing any of its control. The orchestra occasionally lapsed into an unpolished, open sound, particularly in the Flute Concerto where it covered the soloist; but for the most part, Harbison's handling of dynamics was attentive, and in parts of the Piston, very exciting. A more intense beat, besides lending even more excitement, would add rhythmic sureness and vivacity. Otherwise, both his and the Orchestra's work indicates much to look forward to, and one hopes they will not become assimilated into the larger Harvard-Radcliffe Orchestra next year...

Author: By Paul A. Buttenwieser, | Title: Bach Society Orchestra | 3/9/1959 | See Source »

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