Word: fluted
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...provide morethan just drunk fans. One warm Sunday, whileperforming for a large crowd in front of Origins,Athena was approached by a saxophonist who wastraveling through Boston with his band. Athenainvited the mysterious stranger to jam with her;he immediately agreed and soon returned with foursaxophones and a flute. They ended up performing aimprovised duet. "it was magic," says Athena. Theysustained the "beauty" for over three hours,merging their souls in wild, passionate,uninhibited...music. "It was like musical love atfirst sight. It was beautiful." Although thesaxophonist lives three hours away, he joinsAthena's band whenever...
...heir to the company financed the band's first record. For years Moloney, an accountant, and the others kept their day jobs; some dropped out. Of the original five, only Moloney and fiddler Martin Fay remain; the others are Conneff (percussion), Sean Keane (second fiddle), Matt Molloy (flute) and Derek Bell (harp and keyboards), whose dour banker's visage is uncapped onstage to reveal a wily mischiefmaker. "We keep the humor going," says Moloney. "I grew up in an atmosphere where music was about happiness and song." But the group's approach to their traditional airs is one of unawed...
...From which country?'' I ask. This is like offering lox to a dog: I've given Joe the chance to enlighten his feckless bro. He hammers back half a flute of Dom Perignon and shifts into full-on Pitch Mode...
...acoustic guitar with two instruments not usually found in today's scene: a violin and a saxo phone. These two are not used sparingly either; most of the band's jamming came from Boyd Tinsley's blistering solos, in songs like "Ants Marching" and "Tripping Billies" and Moore's flute solo in "Typical Situation" got the most applause of the night. Their performances showed that even though the band is named for him, Matthews does not hog the spotlight and lets his talented bandmates shine...
...contrast to their first album, in which Anderson crooned over minimal synthesizer and string backup, Dog Man Star is cushioned with more developed, at times cheesy, arrangements for guitar, saxophone, trumpet, trombone and flute. The album seems very carefully organized, progressing from the opening track, "Introducing the Band" to the end song, "Still Life." While the entire album is bathed in a Bowie-esque flavor, each song seems to have its own unique sound. Ultimately, though, the album's eclecticism falls apart because its frequent musical borrowings from well-established styles are none too subtle...