Word: fluting
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...agency reporting, established in 1835 by Charles Havas. Used by the Germans for their own purposes, mostly propaganda, during World War II, the agency was forced to start from scratch as a government enterprise in 1944 under the name Agence France Presse. It played a slow, largely interpretive fourth flute to AP, UPI and Reuters for a decade...
...flutist and the leader of an electrified jazz-rock group called the Satyrs, which occasionally accompanies its pulsing din with such tape-recorded sounds as those of a thunderstorm or a subway train. Classically trained, Steig (son of Cartoonist William Steig) hums into as well as plays his amplified flute, mixes shimmering, bluesy cascades of notes with jabbing, rhythmic interjections, sometimes bending tones into piercing dissonances, sometimes dissolving into trills or fluttery tremolos. Jazz Critic Whitney Balliett describes Steig's musical message as "messianic, for it suggests the way out of the gloomy muddle that jazz has fallen into...
...Beethoven Fifth make their appearance in "The Alcotts," a merciless parody of all the cliches of nineteenth-century musical sentimentality. Of the four, the "Thoreau" movement is the kindest to its namesake. Its big surprise is the sudden addition of a lyrical, low-register, and entirely unseen flute. Monday night the flutist was nowhere on the program and even refused to come...
Apparently he couldn't play the flute. In Ibsen's The Wild Duck, Hjalmar Ekdal renders "with sentimental expression" a brief passage from a Bohemian folk-dance. In the Adams House version he is about to let loose when the door conveniently swings open, and we never hear a note...
Such problems abound in James Burt's production of The Wild Duck. But even if there are faults more glaring than the lack of flute music, they can't cripple a show so liberally marked with hard work and competence. Ibsen is not often staged at Harvard; drama students read him and study him, but rarely see him or perform him. Now Adams House has tackled one of his most difficult plays and come out, if precariously...