Word: fluting
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Dates: during 1960-1969
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...monk!" Daria was onstage looking like a monk because she was dressed like a monk, and about fifty other girls surrounded her dressed like monks and witches and jesters and knights, and some were even dressed like girls. Down in the pit there were more girls, playing piano, flute and trumpet. Off in a corner, hiding behind a bass and a drum set, were the two lone boys in the production, vastly outnumbered and probably terrified. The Wellesley Junior Show, a combination of a female Hasty Pudding show and a summer camp skit, was going strong...
...what is called "the third stream." A former whiz-bang drummer with the Boston Symphony, Farberman concentrates on percussion in his compositions, uses other instruments sparingly. In Evolution, a French horn appears briefly as well as a voice (Phyllis Curtin's). Progressions' percussion is punctuated by a flute. Impressions is said to be about painters, including Jackson Pollock, who would probably never recognize himself as portrayed by Ralph Gomberg's oboe. And vice versa...
FRANCIS POULENC: SEXTET FOR PIANO AND WINDS (Angel). Prokofiev-like flashes of wit and tipsy abandon brighten the sextet, while the Sonata for Flute and Piano sets afloat a dreamy cantilena, then juggles flashy melodic fragments into thin air, Michel Debost lightly plays the lyrical flute; Jacques Fevrier is the pianist with him and with the Paris Wind Quintet...
...turned to another opera house. For New York's new Metropolitan at the Lincoln Center, he is designing more than 75 costumes and 13 sets for its forthcoming production of Mozart's The Magic Flute. And when the Met opens in 1966, its facade will boast a brace of 30-ft. by 35-ft. murals, swarming with the turbulent will-o'-the-wisps of his own endless fantasy. From their vantage on the Met's grand tier, the over-two-story-high murals will glow through the glassed vaults to dominate a city vista more spacious...
...Among them are chamber works by Ned Rorem and Elliott Carter, both contrasting the tangy harpsichord with bland woodwinds. Rorem strings together short, romantic "songs without words," while Carter builds a severe, towering structure out of tiny musical blocks. Highlight of the recording is the plangent Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Cello by Manuel de Falla...