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Word: fluting (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Golf Balls. A case in point is The Fox, in which Schifrin used a lone flute with a sad, fragile melody to frame the film's lesbian theme against its bleak, Canadian country background. He can make points just as effectively with unusual sounds and effects. For Hell in the Pacific, he wrote mostly in a serialistic orchestral style, but at one point bounced golf balls on the strings of a piano to underline the irrational hatred between the film's antagonists, Lee Marvin and Toshiro Mifune. In the recent Che!, he suggested the primitiveness of the Bolivian...

Author: /time Magazine | Title: Composers: Cool Hand in Hollywood | 7/25/1969 | See Source »

...several bass, piano, and drum solos demonstrated. Bassist Eddie Young of Young-Holt Unlimited has a good time on stage, too--so did we. The Bill Evans group by itself is a good jazz combo; it becomes great when Jeremy Steig walks on stage to add his lyrical flute. And the guitar of Kenny Burrell was--as it always has been--very fine...

Author: By Jerald R. Gerst, | Title: Newport Jaz: I | 7/8/1969 | See Source »

...magnet, of course, was Blood, Sweat, and Tears. Everything before them--Steve Marcus, who bombed with "Wild Thing"; Jethro Tull, with Ian Anderson strutting, kicking, and striking a Panlike pose with his flute; and the frenetic sound of Ten Years Yater--was prologue. And from the moment they walked on, you said to yourself that everything that came after would be anticlimax. (In fact, Jeff Beck was worse; a real down...

Author: By Jerald R. Gerst, | Title: Newport Jaz: I | 7/8/1969 | See Source »

...lithe figure moves barefoot through the semidarkness of a candlelit hall, stroking an outlandish array of gongs, cymbals, chimes and timpani. Amid the swelling percussion, a bamboo flute emits a low plaint. Sound ebbs and flows, rising to a crescendo, then dwindling to mystic silence...

Author: /time Magazine | Title: Composers: Symphony of One | 6/27/1969 | See Source »

...shaking a pair of copper baby rattles from Japan. Onstage, he may build a sonorous tremolo of several gongs, mixing in a tinkling of glass chimes or a booming thunderclap of timpani. At times he pauses, changes mood, and elicits long, random notes from a homemade North African-style flute or dramatically raises a six-foot Tibetan temple horn and blows a resounding blast. The concert is over when Tree feels it should end, sometimes after 45 minutes, sometimes after an hour and a half (which most professional critics find a bit too long). Tree simply walks away. His audience...

Author: /time Magazine | Title: Composers: Symphony of One | 6/27/1969 | See Source »

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