Word: fluting
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Dates: during 1960-1969
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...SPEAK LIKE A CHILD (Blue Note). This piano album is a fine montage of pastel moods. Delicately blended harmonic shades slide and merge in misty orchestrations of Speak and Goodbye to Childhood (with Thad Jones on flügelhorn, Peter Phillips on bass trombone and Jerry Dodgion on alto flute). In Riot, First Trip and Sorcerer, the piano skips along with mellow modal lines and bright blues splashes. Drummer Mickey Roker and Bassist Ron Carter are Hancock's hearty helpers...
ELVIN JONES, PUTT'N' IT TOGETHER (Blue Note). Drummer Jones, who played with the late John Cohrarie, became famous for his fiery musical duels with the master. With Jimmy Garrison on bass and Joe Farrell splitting three ways on tenor, soprano sax and flute, Jones here uses his flashy technique to inspire, shape and embroider a harmonically free, three-way dialogue. Reza and Jay-Ree brim with bright looping arches of sound reminiscent of Ornette Coleman. Soloing on Kei-Ko's Birthday March, Elvin gets under way with a humorous drum-corps pattern that soon turns into...
...paraphrase of Once I Had a Secret Love). While Mississippi Dip is a blues to be taken lithely, A Taste of Honey switches tempos faster than the foot can follow, building to heated ensemble crescendos behind Frank Foster's tenor and Jerry Dodgion's flute solos. New Girl, composed by Pearson, has a graceful flair and a nifty construction...
Daltrey talked of how the operas work, "We sometimes have different instruments for different people. For example we may use a flute to represent a mother and a reverberating chamber for the father." Townshend--"We are not rigid musicians. When we go to do an opera we have some idea of what the story will be but we don't restrict ourselves. We let our mood in the studio affect the way we play and therefore it affects the way the story line unfolds." Townshend has outlined a two hour rock opera and the group is eager to get back...
...newscast on Pasadena's radio station KRLA led off with the story of the Pope's encyclical on birth control. Then followed the strains of an oboe, flute and English-horn trio that sounded like the walk-in to a commercial jingle-until listeners heard a solemn voice chanting...