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Word: fluting (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...darkened gallery, the gasses glow luminously in several different colors. Some of the pieces are eery enough to be in a science fiction movie. A whirring sound from the power supply competes with the flute music in the background...

Author: By Amy B. Mcintosh, | Title: High Voltage, Do Not Touch | 3/17/1977 | See Source »

Phil Sraiman and Steve Hollis start things rolling at Sword-in-the-Stone (523-9188) tonight, both with traditional folk on acoustic guitar. Friday you got Linda Long doing folk and pop and Rodney Mashia playing original folk on flute and guitar. Saturday Jeff Brodsky plays standard acoustic folk, followed by the B Natural Boys with--yeeeeeeehaaaaw!--country and western. (They play some bluegrass, too.) Sunday and Tuesday it's an open stage; Sword is closed Mondays...

Author: By Harry W. Printz, | Title: FOLK | 3/10/1977 | See Source »

...still reeling from that great Coltrane orgy, here are a few tidbits to hold you over until Sonny Rollins comes to town (March 2-6, Paul's Mall). The Jazz Workshop has that great Chick Corea sideman Joe Farrell, in until Sunday. Farell plays a funky saxophone and flute and is best remembered on Corea's terrific Inner Space album. Funny thing about Farrell, he is the headliner and Corea is the second banana on their latest release...

Author: By Jim Cramer, | Title: JAZZ | 2/9/1977 | See Source »

...Dulcimer," offer more in terms of improvisational beauty. This album is saxophone heavy which is good news for Gary Bartz fans. Bartz gives a performance on this album the likes we haven't heard since "Hiome." Tyner gives a newcomer, Joe Ford, a lot of leeway in his flute solos, which could be the record's sole weakness...

Author: By Jim Cramer, | Title: Cambridge Focus | 1/13/1977 | See Source »

...Hawthorne to the Alcott's hymnal simplicity. Even the liberties he took in tempi and dynamics sounded authentic and convincing. Ives himself said of the Hawthorne, "It is not intended that the metrical relations...be held too literally." Louis Cooper was also excellent in his performance of the flute solo which unexpectedly concludes the final portrait of Thoreau...

Author: By Jay E. Golan, | Title: Familiarity Breeds Respect | 11/24/1976 | See Source »

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