Word: fluting
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Dates: during 1980-1989
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...July is a "hunk" extravaganza with a different double feature every other night of favorite leading men such as Clark Gable, Burt Lancaster, and Errol Flynn. In August, on a more serious note, will be an Ingmar Bergman series with the director's potpourri of films, including the Magic Flute and Persona. For a consistent series of famous golden oldies, the Brattle Theater will provide enjoyable film entertainment for the entire summer...
...Chirico of the 1930s, with his kitschy antique pretensions) and, more reconditely, to the paintings of De Chirico's brother, who took the name Alberto Savinio. With tongue in cheek, Chia has assembled a whole secondhand wardrobe of classical nostalgia: a painting like Figures with Flag and Flute, 1983, with its bearded sage listening to the pipings of a young musician amid the rubble of some temple, thus manages to be both knowing and undemanding. It evokes complicity; artist and viewer share their camp enjoyment of a dead language...
...Bruins 4 BROWN ab r h bi Stamoulis 2b 2 0 0 0 Dalley 1b 3 0 2 0 Johnson c 3 0 0 0 Sweeny 3b 3 0 0 0 Fox dh 3 1 0 0 Sennett cf 3 1 1 0 Sandford rf 3 1 0 0 Flute lf 3 1 1 3 Monaghan ss 2 0 0 0 Harrington 2b 1 0 0 0 Leara ph 1 0 0 0 Total 27 4 4 3 HARVARD ab r h bi Weller cf 2 0 0 0 Rivera 3b 2 0 1 1 Bauer...
Strong emotions are the very stuff of grand opera, yet film has had a hard time portraying them in all their complexity. Ingmar Bergman's The Magic Flute delighted in the playfulness of Mozart's fairy tale but missed its underlying seriousness. Joseph Losey's Don Giovanni emphasized the same composer's brooding drama but failed to locate it within the realm of the human comedy. Zeffirelli's La Traviata strikes just the right note. Visually stunning and musically thrilling, it is the finest operatic movie yet made. It should appeal even to those...
...will not get close to Mozart," he states at the outset, and it is true Despite the interesting analysis of music and letters which pervades the text, the most frequent effect it produces is frustration--sometimes at a particularly annoying interpretation (as when Hildesheimer relegates The Magic Flute to "the lower ranks of sentiment") and sometimes simply at the inadequacy of the existing evidence on Mozart's life and thought...