Word: fluting
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Dates: during 1980-1989
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...hasn't worked out that way. Directors have generally been content either to substitute handsome actors for the singers supplying the sound track or simply to shoot a stage production. A breakthrough came in 1975, when Ingmar Bergman produced a charming The Magic Flute that began in a replica of Stockholm's 18th century Drottningholm Court Theater and from time to time moved beyond the confines of the stage. Even more ambitious was Joseph Losey's mesmeric Don Giovanni (1979), expansively set amid the Palladian splendors of northern Italy...
...activity limited to America. Since 1975, Levine has appeared regularly at the prestigious Salzburg Festival in Austria, leading widely acclaimed productions of Mozart's The Magic Flute and La Clemenza di Tito in the composer's home town. When Wolfgang Wagner, grandson of Richard, was seeking a conductor for last summer's centennial production of Parsifal at Bayreuth, Levine was his choice. "Jimmy's star is going up," says a member of the Chicago Symphony. "I don't think anything will interrupt the rise." Levine talks about his ascent to prominence with a characteristic mixture...
...music by Charles Ives, as "sharp and acid." It was also young and sexy. Thereafter he made several small ballets, all at least lively, some a bit close to the exercise book. In the past year he has taken a big step forward. In The Magic Flute, a comic folktale ballet (not related to Mozart's opera), Martins produced an earthy, unpretentious romp. Concerto for Two Solo Pianos, made for last June's Stravinsky festival, recalls the sharp, acidulous Calcium, but it is more complex and by far the most dramatic of Martins' ballets...
Tsuzuki has studied piano since the age of four. She also enjoys the flute, chamber music, and especially singing. At Harvard she has participated in the Collegium Musicum and the Ensemble Society. She received the Horblitt Prize for outstanding musicians at Harvard and is currently a member of the Radcliffe Pitches...
Faculty Chamber Concert Ray De-Voll, tenor, John Heiss, flute. Laurence Lesser, Cello, Victor Rosenbaum, piano Enc Rosenblith, Violin and Patncia Zander, piano; music of Haydn, Heiss Faure and Dvorak, Jordan Hall. 290 Huntington Avenue, Thursday...