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Word: fluting (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...gephyromania) and by name (trichorrhexomania: pinching off one's hair; typomania: writing for publication). Similarly organized is a catalog of more than 200 phobias, which only begins to suggest why psychiatrists will never lack for patients. Fear of the Pope is papaphobia; fear of failure, kakorraphiaphobia; fear of the flute, aulophobia...

Author: /time Magazine | Title: Satisfying Verbomania | 9/7/1992 | See Source »

...recorded passages from the Magic Flute play in the background to the Leverett House performance, the real thing takes place in the Lowell dinning hall. This year's Lowell House Opera production aims, according to the program notes, to uncover "the plethora of possibilities in the opera...without trying to create a singular impression," while simultaneously offering "a dawn to dusk retrospective of Western civilization...

Author: By John D. Shepherd, | Title: After the Party: Mozart Revisited, Man and Music | 4/9/1992 | See Source »

...Mozart's score. Her tempi are brisk throughout (occasionally creating problems for some of the singers), and betray a wager on the comic rather than the mystical. The playing is controlled, and some roughness in the brass is more than forgivable given the splendid delivery of the all-important flute part...

Author: By John D. Shepherd, | Title: After the Party: Mozart Revisited, Man and Music | 4/9/1992 | See Source »

...chic, savvy post-moderns that we are, that still take Mozart seriously? And the answer that stares this disappointed reviewer in the face: not if we waffle about the expansiveness of his music without stopping to think what it is about. The message that is built into the Magic Flute concerns love, human and divine, fraternal and romantic. The element of farce that is undeniably present in the opera does not obliterate or even minimally detract from the power of this message. It is a message, though, that is only implicit, and that needs to be interpreted--which is what...

Author: By John D. Shepherd, | Title: After the Party: Mozart Revisited, Man and Music | 4/9/1992 | See Source »

...Clemenza di Tito (to be released April 21 on Deutsche Grammophon Archiv). Here, a truly innovative approach (using period instruments) combines with a genuine reappraisal of the opera as a whole, and the result is nothing less than a revelation. Mozart worked on both Tito and the Magic Flute at the same time during the summer of 1791 and at great speed. Yet, while the music of the Magic Flute has met with universal praise almost since its premiere, that of Tito has been disparaged as the product of a sick and exhausted man, and as a hastily-written, half...

Author: By John D. Shepherd, | Title: After the Party: Mozart Revisited, Man and Music | 4/9/1992 | See Source »

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