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Word: fluting (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...says Boch. “Started at Wigglesworth C, got kicked out, then Matthews, got kicked out, ended up in Straus. Even there we were still asked to stop playing a lot of the time, and spent a lot of time competing for the spaces instrumentalists: flute players, violin, and the like.” According to Le-Khac, “Even at normal hours, like before 9 p.m., we would get complaints from the proctors in Wigglesworth. The practice rooms are very much structured for ‘traditional’ instruments and not for rock music...

Author: By Eric L. Fritz, CRIMSON STAFF WRITER | Title: Does Harvard Have an Appetite for Rock and Roll? | 10/13/2005 | See Source »

...where one myopic offering in your menagerie might focus on those didgeridoos, the Core of tomorrow might undertake a cross-study of flutes in their many incarnations, from the pan-flutes of the Roman and Greek empires to the lesser-known (but no less important) Papuan and Khoisan flutists—perhaps even Bach’s flute sonatas would make a brief appearance. All in the name of a general education...

Author: By Travis R. Kavulla, | Title: Core Curriculum, I Loathe You | 10/3/2005 | See Source »

...first Cavaradossi, ringing the rafters with a triumphant Vittoria! in a 1903 Tosca. Here too is the white-hot French soprano Emma Calv, a peerless Carmen; the Polish soprano Marcella Sembrich, who negotiates the Queen of the Night's treacherous coloratura con molto brio in a 1902 Magic Flute; and the soaring American soprano Nordica (ne Norton), who must have been one of the most glorious Brnnhildes in history. And here, in his only extant recording, is the Polish tenor De Reszke; the legendary voice is frustratingly obscured, but his Wagner and Meyerbeer heroes glow with virile grace...

Author: /time Magazine | Title: Music: Voices from the Past | 6/21/2005 | See Source »

...Horowitz's pianism offers many subtleties: the absolute independence of each finger, which makes it sound as though he were playing with three hands, and a rainbow tonal palette that realizes Liszt's ideal of turning the piano into an 88-key orchestra, with every instrument from the flute to the double bass represented...

Author: /time Magazine | Title: Vladimir Horowitz: The Prodigal Returns | 6/21/2005 | See Source »

Mahmoud A. Youssef ’05 wears a crisp white shirt and khakis as he picks over a green salad and sips from a plastic flute of champagne. He’s performing double duty today, meeting with his former Straus A compatriots for the first hour and then jumping behind the bar to serve up bubbly, part of his duties as a senior class marshal...

Author: By Michael M. Grynbaum, CRIMSON STAFF WRITER | Title: An Entryway That Eats Together Stays Together | 6/9/2005 | See Source »

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