Word: fluting
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...star of the program was Howard M. Brown. One of the supreme artists of our day on the modern flute, Brown demonstrated his versatility by performing with consummate skill on four diverse sizes of recorder as well as on an old wooden cross flute--all of which have utterly different playing techniques from the modern flute. The other musicians were Phyllis Olson, tenor and bass viola da gamba; and Daniel Heartz, harpsichord and lute...
Authentic Renaissance and Baroque instruments will perform the works of these composers. Performers for the concert are Daniel Heartz, harpsichord and Renaissance lute; Phyllis Olson, tenor and bass viola da gamba; and Howard Brown '51, cross flute and recorders...
...Festival has followed in this tradition by rummaging through Handel and plucking out a few gems that Gay missed, including the rousing anthem "See the Conquering Hero Comes." His orchestrations, while essentially true to the baroque originals, reinforce these delicate songs without intruding on their simplicity; the flute and string accompaniment of "Youth's the Season" was especially graceful...
...Miller here has purposely moved closer to it and away from realism. He employs a lawyer, Alfieri, in a double role: as a temperately counseling participant in the action; and as an outside narrator or commentator (like the Greek chorus), set off effectively at Wellesley by a solo flute line in the background. Miller's attempt to insert passages of poetic speech into Alfieri's role does not quite come off, though; and he would do well to dispense with the gimmick of framing the play between "Good evening. Welcome to the theater," and "This...
...Pacific, with its pretty songs separated by plenty of action and dialogue. Fella comes from Italian opera buffa out of such frankly operatic efforts as Porgy and Bess -only 20 of its 140 minutes are filled with spoken words, a percentage which compares favorably with Mozart's Magic Flute. Putting such works on records required very special abilities, e.g., coaxing people whose first impulse is to mime and pose into playing entirely for the ear, and then creating in sound the invisible stage action and mood...