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Following is the program of the concert by the Boston Symphony Orchestra, in Sanders Theatre, at 7.45 tonight: Soloist, Mr. Leo Schulz. Suite in B minor No. 2 (for string orchestra and flute), Bach; Symphony in D No. 2, Haydn; "Kol Nidrel" (for 'cello and orchestra), Bruch; Overture, "Euryanthe," Weber...

Author: NO WRITER ATTRIBUTED | Title: Symphony Concert Program. | 2/15/1894 | See Source »

...WATERL.PIERIAN SODALITY!- There will be a trial of candidates on violin, viola, cello, bass, cornet, trombone, horn, clarinet, oboe, flute, piano, drums, etc., this week at time and place to be announced later. The trial is open to all members of the University...

Author: NO WRITER ATTRIBUTED | Title: Notice. | 10/2/1893 | See Source »

...might be called "elastic" music, - the triangle, piccolo and glockenspiel are often introduced. Though Moszowstki is of Russian descent he was born in Germany and his music savors more of the German School than the Russian. Both movements were played with fire and careful standing; Mr. Mole's difficult flute solo in the Andante being very skillfully executed...

Author: NO WRITER ATTRIBUTED | Title: Symphony Concert. | 3/24/1893 | See Source »

...following named Artists who have generously volunteered. Mme. Kathinka Paulsen White, Soprano; Miss Louella Wagner, Alto; Mr. Eliot Hubbard, Tenor; Signor Guiseppe Campanari, Baritone; and the following soloists of the Boston Symphony Orchestra, Mr. Franz Kneisel, Concert Meister and Violin Soloist; Mr. Leo Shulz, Cello; Mr. Charles Mole; Flute; Mr. Heinrich Shnecker, Harp; Mr. Max Zach, Accompanist; and Orchestra of 60 Pieces. Mr. John C. Mullaly, Conductor. Tickets now on Sale...

Author: NO WRITER ATTRIBUTED | Title: Special Notice. | 2/11/1893 | See Source »

...Nicode's Symphonic Poem "The Sea." Her singing was delightful. Third on the program came Bizet's Suite, "L' Arlesienne" No. 1. The opening movement is a swinging march with the air by the cellos and a peculiar counter theme in the wood wind. In the second movement the flutes carry the air with an accompaniment by the violins and a sort of echo by the harp. Toward the end the whole orchestra works up to a climax and then softens and ends with a pianissimo passage. In the third movement there are some very difficult parts for the flute...

Author: NO WRITER ATTRIBUTED | Title: Symphony Concert. | 2/3/1893 | See Source »

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