Word: fluting
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...highlight of the concert, however, came after intermission with the performance of Mahler's Das Lied von der Erde, his adaptation of Hans Bethge's collection of translated poems The Chinese Flute. At this point, Ozawa was not only conducting the BSO, but also two singers, Ben Heppner and Thomas Quastoff, who rounded out the tenor and bass-baritone voice parts. The work was divided into five parts that explored a different facet of Mahler's self-contemplation. In the first piece, known as the "drinking song," a man laments that "Dark is life, dark is death" and copes...
...Sunset Bay" takes you to the Bay Area where the artists grew up. Ultra simple drum programming with understated saxophone notes will make you think you are walking down the Embarcadero with your special someone. The same can be said about "Eventide;" yet this time, the brothers add flute and something known as "wah wah" bass, making "Eventide" a much more dynamic and upbeat piece, created in a style reminiscent of the Yellowjackets jazz group. "Steppin' Out," the album's namesake, and "Someday" are also noteworthy pieces, for they contain poetic uses of the tenor saxophone...
...unique feature of Galway's concerts is the introduction he makes before each piece he performs. These are usually humorous bits giving a brief history of the work. Examples include the tale of the Emperor and flute addict Frederick the Great and his teacher Quantz, which introduced the Bach Sonata in E major for Flute and Basso Continuo, (BWV 1035) and the dangerous nature of dancing in the baroque period, which introduced Couperin's La Pie'montoise. According to Galway, one wrong movement of the finger could cause a person to literally lose his or her head. These comic lectures...
...first piece was a light and airy G Major Sonata by Bach (BWV 1039) for two flutes and basso continuo, including all the players except for Huggett and with Jeanne Galway on the golden flute that is a trademark of her husband. The playing was excellent all around, with the Galways flawlessly performing a passage that requires technical perfection if it is to be successful, creating an elegant echo effect. Cunningham and Moll were solid backup players, neither too loud and intrusive nor too quiet and listless. Except for a few fluffy notes on one of the flutes...
...Quartet in D Minor, however, brought the whole group on stage for the finale, and all contributed to the success of the performance of that work. Huggett and Jeanne Galway, especially, shone in this work, Huggett's playing so clear and light that she almost sounded like a third flute. Feet were tapping as the program reached its conclusion, the artists finishing to insistent applause...