Word: flutist
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Dates: during 1950-1959
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...reached the U.S.; Arturo Toscanini wanted a harpist for the Metropolitan Opera Company, and imported him, says Salzedo, "like a piece of cheese." Salzedo stayed at the Met for four years, then organized the U.S.'s first harp ensemble, later set off to tour Europe with a flutist and a cellist. After a stint in the French army in World War I (wounded in action). Salzedo returned to the U.S. and got to work making the harp something better than one of those "extra" instruments rarely heard outside full-dress philharmonic orchestras...
Great Ideas of Western Mann (Herbie Mann's Californians; Riverside). Flutist Mann abandons his favorite instrument for one of the least likely of solo instruments-the bass clarinet. The fudge-thick sound has a wistful, funky charm, but often Soloist Mann evokes a fat man in a conga line...
...Wonderville Susan met droll, cantankerous Mr. Pegasus, whose elaborate Cartoon-a-Machine grunted out a canned Terrytoon. In the Foolish Forest she met an all-animal orchestra which included Wolfgang, the violin-playing bear, flop-eared Gregory, the rabbit flutist, and Bruce, the world's only drum-beating gopher-all ingeniously manipulated by wires backstage. Pegasus baited the conductor, Caesar P. Penguin: "He's the world's worst orchestra leader." Said Caesar: "This is not kind. In fact I am going to take umbrage; sometimes I have a headache and I take umbrage." While Caesar took umbrage...
...students decided to end the concert with a tribute to their teacher in the form of Professor Piston's own Sonata for Flute and Piano, performed by flutist William Grass and pianist Tan Crone. Piston is one of those rare men who can teach as well through example as through words. This sonata, a relatively early work (1930), showed Piston to be already an impeccable craftsmen. All three movements were skilfully wrought in traditional shapes of almost Mozartean clarity, albeit on a mainly contrapuntal basis. The performance, however, was no more than adequate; Mr. Grass was definitely not "The Incredible...
Full of Flute. Composer Laderman stumbled onto his technique one night after hearing a flutist friend give a fine recital. Laderman returned home so "full of flute" that he sat up all night composing. As he wrote, he began to visualize dance images. Rather than lose them, he improvised dance notations above the musical staff to correspond with the flute solo. Next morning he found that the notations accurately recalled the dance images. He took the score, now titled Duet for Flute and Dancer, to Dancer-Choreographer Jean Erdman, asked that she choreograph...