Search Details

Word: flutist (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...commonsensical candidness has endeared Solti to musicians; that endearment goes a long way toward explaining his success. Without the loyalty and respect of his musicians, no conductor can long preside over an orchestra-much less produce great music. Musicians are notoriously independent, as the old saw about the French flutist demonstrates. Ordered by a conductor to play in a certain style, the musician said: "Very well, I'll play it his way at rehearsal, but just wait till the concert. After all, man ami, it's my flute." With Solti, it is different. Says Orchestre de Paris Flutist...

Author: /time Magazine | Title: Solti and Chicago: A Musical Romance | 5/7/1973 | See Source »

Throughout the year, the Museum of Fine Arts in Boston produces an impressive array of chamber concerts. On Tuesday the 10th, baroque flutist Carol Epple will lead a program at the Museum. She is a very good player and can prove that ancient instruments do not have to be played out of tune. Incidentally, admission to the Museum is free on Tuesdays from 5 until 9: a good chance to look around before hearing the concert...

Author: NO WRITER ATTRIBUTED | Title: Classics | 3/29/1973 | See Source »

CABOT HALL LIVING ROOM. Nancy Toff, flutist, and others, concertos by Vivaldi and Leclair, March...

Author: NO WRITER ATTRIBUTED | Title: Classics | 3/1/1973 | See Source »

Montezuma has, as Associated Artist's press releases modestly put it, "an unusual libretto by Frederick the Great." Graun was the flutist-emperor's court composer, and his duties included writing opera seria, all of which were naturally forgotten when baroque opera went out of style. The Associated Artists have resurrected Montezuma, with the castrati parts down an octave so that men can sing them...

Author: By Seth M. Kupferberg, | Title: Nights at the Opera | 2/15/1973 | See Source »

Vaudevillians. Fortunately, that public by and large insists upon a modicum of quality. Bizarre vaudevillians like Jethro Tull, the manic-impressive group for which Anderson is lead singer and flutist, are still artisans right down to their self-mocking codpieces and plaid jerkins. Singer-Composer King, 29, spins out her multitextured ballads with craft and sensitivity and raises her piano playing to something more than mere accompaniment. Nilsson, 31, blithe and winsome with his pen as well as his voice, first projected himself as a sort of sad-clown chronicler of Middle America (Nobody Cares About the Railroads Anymore...

Author: /time Magazine | Title: Pop Records: Moguls, Money & Monsters | 2/12/1973 | See Source »

Previous | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | Next