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CARL PHILIPP EMANUEL BACH: SIX SONATAS FOR FLUTE AND HARPSICHORD (Nonesuch). In bringing back the solo flute, the baroque revival has also headlined a brilliant French flutist, Jean-Pierre Rampal, who seems to have enough breath to tackle the entire 18th century output for his instrument. Turning from J. S. Bach and Mozart, Rampal has recently recorded music by Telemann, Pergolesi and others, as well as these melodic and graceful entertainments by Bach fils, accompanist for that royal flutist, Frederick the Great...

Author: /time Magazine | Title: Television: Mar. 12, 1965 | 3/12/1965 | See Source »

NIRVANA (Atlantic). Flutist Herbie Mann and Pianist Bill Evans stage a slowdown, giving a performance that is either extremely cool or simply congealed. There are some pleasant Oriental overtones but scarcely a beat, let alone a pulse, in most of the pieces (Willow Weep for Me, Mann's Nirvana); Cole Porter's I Love You is a cheerful exception...

Author: /time Magazine | Title: Television: Feb. 5, 1965 | 2/5/1965 | See Source »

...Herbie endured, eventually changed his name and instrument, and, as Jazz Flutist Herbie Mann, has be come at 34 one of the most successful jazzmen in the business. This week he was voted the top musician in his field for the eighth consecutive year in the Down Beat magazine readers' poll. But, to the inner circle of jazz aficionados, Herbie is still not with it. Mainly, says Mann, "because I've committed the cardinal sin of being successful...

Author: /time Magazine | Title: Jazz: The Third Thing | 12/18/1964 | See Source »

...Mike Tschudin sextet followed with three tunes, all originals. Tschudin's group played a lonely, jagged kind of jazz: in ensemble, it sometimes bordered on the disorderly. Its hear number, Half Dozen, featured a wispy, peaceful solo by flutist Ray Taylor. Tschudin, on piano, played a startling mixture of styles: Cecil Taylor, Horace Silver, David Tudor, and his own. His combo is rough around the edges, but his attempt to find his own way makes his music exciting...

Author: By Hendrik Hertzberg, | Title: Quincy-Holmes Jazz Concert | 3/16/1964 | See Source »

...intermission joke-"Sing me that nice part of the thing we just heard." But most of all, precise composition yielded to aleatory music-the music of chance, in which performers are free to improvise with little control beyond their own musicality. In all the baffling proceedings, Berberian and Roman Flutist Severino Gazzelloni were godsends to composers and audiences alike...

Author: /time Magazine | Title: Festivals: Frightening the Fish | 10/4/1963 | See Source »

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