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Word: flutists (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...played. Everyone has a suggestion, and everyone thinks that the way he played it back in Poland is the only way." In addition, the parade of guest conductors has turned the players into musical chameleons, denied them a distinctive style that they can call their own. Says one flutist: "Under Paul Paray we play the Leonore Overture in eleven minutes; under Josef Krips we do it in 15 minutes...

Author: /time Magazine | Title: Orchestras: Waiting for Mr. Right | 6/17/1966 | See Source »

...nonplused at the omission of Duquesne University's Bernard Goldberg, flutist of the Pittsburgh Symphony and the Musica Viva Trio, soloist with the Casals and Marlboro festivals...

Author: /time Magazine | Title: Letters: Mar. 25, 1966 | 3/25/1966 | See Source »

...showed off two supreme musicians Friday night: flutist Karen Monson '66, and pianist Ursula Oppens '65. They are quite a pair. Both won the concerto contest in their freshman years. Both spent three or four years becoming legends among Harvard concertgoers. Both face futures of great promise as professional performers. Both are very exciting musicians...

Author: By Thomas C. Horne, | Title: The Harvard-Radcliffe Orchestra | 3/21/1966 | See Source »

...JEAN-PIERRE RAMPAL, 44, the most famous French flutist of the age, this week had a concert date in Paris to play Mozart's Concerto for Flute in D Major. A large man with a suave stage presence, Rampal cannot make the flute sing as Baker can, but he does make it speak with a wonderfully expressive French accent. He is the master showman of his instrument, and he charms an audience as a fakir charms a snake...

Author: /time Magazine | Title: Instruments: Flute Fever | 3/11/1966 | See Source »

After 1847, when a German jeweler and flutist named Theobald Boehm perfected the sophisticated instrument now in use, the French eagerly adopted it. By World War I, flutists like Claude Paul Taffanel, Georges Barrere and Marcel Moyse had produced an impressive tradition of virtuosity. Oddly enough, the romantic composers could not find a place in their palette for the infinite colors of the flute, but Debussy and Ravel, the great impressionists, splashed patches of flute all over their sound paintings. Suddenly instrumentalists began to clamor for flute lessons. In Europe, the great teacher was Marcel Moyse; in the U.S. William...

Author: /time Magazine | Title: Instruments: Flute Fever | 3/11/1966 | See Source »

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