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...Friday trumpeter Freddie Hubbard, flutist Hubert Laws and pianist McCoy Tyner move in. Hubbard dazzled Harvard crowds last year when he coached music and stood up President Bok in The Learning for Performers Series. Hubbard has not progressed as much as hoped for from the time he broke in as an 18-year old wunderkind. But he is up in the top ten trumpeters playing today. Laws is a rarity; a lead man on flute: Not in the Eric Dolphy bracket, Laws is nevertheless more than competant on the flute. He is very much into the jazz-rock scene despite...

Author: By Jim Cramer, | Title: For Three Days Boston Becomes The Jazz Capitol of the World | 11/18/1976 | See Source »

Tanjore Viswanathan, an internationally known Indian flutist, and ethnomusicologist, told an audience of approximately 50 people that South Indian flute music "requires a lot of concentration...

Author: By Julie Wilson, | Title: Indian Musicians, Asian Artists Star At Quad Festival | 5/1/1976 | See Source »

...entire sentences." Using this mind-bending opener, Meredith, 66, has been spreading the gospel of meditation to college campuses across the country. His two-hour routine features readings from Anthropologist Carlos Castaneda's Tales of Power, as well as music on a flute synthesizer and Tibetan oboe by Flutist Charles Lloyd. "It's heavy going," Meredith concedes, "but we've struck a minefield of enthusiasm...

Author: /time Magazine | Title: People, Dec. 1, 1975 | 12/1/1975 | See Source »

...Harvard Summer Chamber Players have augmented their regular series of Monday night concerts with a special one this Saturday night in Paine Hall. Two of the group's professional artists--flutist Paula Robison and Cellist Laurence Lesser--will join the younger artists in performing the famous Nieissen woodwind quintet along with trio sonatas from the baroque period. The concert will be free, and to make the evening complete, refreshments will be served. Paine Hall (music building...

Author: By Judy Rogan, | Title: Classical | 8/8/1975 | See Source »

...Weber, this piece changes mood rapidly, sometimes striving toward the darker musical depths, sometimes, as in the second movement, content to rely on an engaging dance-like tune. While Kogan showed a sensitive ability to vary his tone and style in response to the shifting demands of the music, flutist Laurel Zucker tended toward shrill, unsupported bursts of sound in the high register in trying to create big dramatic events, and cellist Kevin Plunkett, with gruff attacks and a hard-edged tone seemed unwilling to respond to the lyricism of the writing...

Author: By Joseph Straus, | Title: A Musical Oasis | 7/18/1975 | See Source »

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