Word: flynn
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Dates: during 1930-1939
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Concentrating on Louise (Bette Davis) and Frank Medlin (Errol Flynn), the reporter she marries before she has known him a week, The Sisters shows their San Francisco menage exposed to the successive shocks of his dipsomania, jealousy and disappearance on a tramp steamer...
...picture as The Sisters depends largely on how well it evokes the mood of an era which lies within memory's horizon for many people who will see it. In this respect, Milton Krims's screen play, Anatole Litvak's direction and the acting of Flynn and Miss Davis are eminently successful. A trifle pretentious in its narrative manner, The Sisters has the salient virtue of making it clear that in 1908 that sleepy year seemed just as fateful as 1938 does now, and for somewhat similar reasons. Good shot: The Medlins' San Francisco neighbor squealing...
Purge-sponsored candidate, selected by the New Deal's chief metropolitan patronage dispenser, Boss Edward J. Flynn of The Bronx, was James Herbert Fay. Purgee O'Connor and Candidate Fay are to the naked eye as much alike as two Irish politicians, but Mr. Fay, unlike Mr. O'Connor, was born in the Gashouse, has lived there all his 39 years. Short, barrel-chested, he lost his left leg in the Argonne at 19, now gets about nimbly on an artificial one. President of Tammany's Anawanda Club, Jim Fay ran against John O'Connor...
...Crowd (Warner Bros.) includes a trunkful of characters now fashionable in screen comedies: a madcap millionaire (Walter Connolly) with a passion for toy trains; his lovely granddaughter (Olivia de Havilland), so bored with mercenary suitors that she longs to meet a man who hates her; a livewire pressagent (Errol Flynn), who organizes a newspaper campaign to destroy the millionaire's good name, hoping thus to get hired to restore it; a dim-witted publisher (Patric Knowles) and his highly intelligent star reporter (Rosalind Russell), who are in love respectively with the heiress and the pressagent. Their antics-when...
...between the essential sanity of the people involved and the dangerous eccentricity of their behavior. Four's A Crowd, by presenting its people as fundamentally irresponsible, robs their irresponsibility of comic impact and turns what might have been high-tension comedy into mildly funny farce. Best shot: Errol Flynn, having hurriedly put an iron gate between himself and the great Danes, pausing to pull one of their tails between the bars, give it an emphatic bite...