Search Details

Word: foams (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...Today's graduates are too sheltered," Patrick concludes, wiping cappucino foam off his new beard. He read an article in Esquire that said balding men could offset their loss of sex appeal by growing beards...

Author: By Charles R. Burress, | Title: The Problem With Us | 7/6/1982 | See Source »

...immediately into Elliott. He can act and react. He's gifted and malleable. He gave an incredibly controlled performance." Mature and childlike by turns, utterly unaffected yet supremely resourceful as an actor, Thomas is largely responsible for making scenes between a boy and a pile of steel and foam rubber glisten with feeling...

Author: /time Magazine | Title: Cinema: Steve's Summer Magic | 5/31/1982 | See Source »

...explained the construction of E.T. to TIME'S Joseph Pilcher, beginning with sketches and a series of clay models for screen testing for Spielberg before building the creature. Finally, Rambaldi made an aluminum and steel skeleton and then laboriously built up a musculature of fiberglass, polyurethane and foam rubber, layer upon layer. Each layer represents a muscle responsible for a body movement or facial expression, and each is connected to a mechanical control or electronic servomechanism. At his most complicated, with Rambaldi and up to ten assistants pulling his levers, E.T. can execute 150 separate motions, including wrinkling...

Author: /time Magazine | Title: Cinema: Creating a Creature | 5/31/1982 | See Source »

...vocabulary (his voice is that of an 82-year-old woman with some electronic distortion). He is onscreen most of the time, and he takes a firm, sure hold of the viewer's emotions when he is there. This is the clue about how he must be regarded: foam rubber or not, it is wrong to call him a good trick. He is a good actor, quite capable of handling a drunk scene or of splashing about in a bathtub (though Spielberg, to his eventual regret, cut the bath scene). His co-star Henry Thomas, 10, now lonesome...

Author: /time Magazine | Title: Cinema: Creating a Creature | 5/31/1982 | See Source »

Photography posed its own special problems. The flying stork-steed that appears on page 53, designed by Artist Mari Kaestle in foam rubber and feathers, was attached to an especially sturdy metal stand so pregnant Model Lori Coen could perch in perfect security. As for the cover image itself, after gallantly twirling and bouncing through two studio sessions, Jaclyn Smith warned Photographer Raúl Vega-facetiously, of course...

Author: /time Magazine | Title: A Letter From The Publisher: Feb. 22, 1982 | 2/22/1982 | See Source »

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