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...this welter one spinster, one spy and one of the boxers emerged above average. On Studio One, pretty Nina Foch accomplished the considerable job of looking plain as a mud fence in a drama about a thirtyish spinster who gets her last chance at a sad-eyed, vintage bachelor (Edward Andrews). Their hesitant, tongue-tied courtship contained perhaps too many pregnant pauses and awkward gropings for words, but even though the drama bore a considerable resemblance to Paddy Chayefsky's Holiday Song of several years ago, it achieved the agonizing ache and flowering fulfillment of the loveless who finally...

Author: /time Magazine | Title: Radio: The Week in Review | 4/4/1955 | See Source »

...knew kings (Edward VII), premiers (Clemenceau). dictators (Mussolini), marshals (Foch) and famed writers (d'An-nunzio). Charlie Chaplin's gambit at the Paris première of The Kid was not unlike that of many others: "I loved you in New York. You were France, Versailles. You conquered America...

Author: /time Magazine | Title: Books: Three Belles | 8/30/1954 | See Source »

...symbol without point. But literal lack of point has never bothered Faulkner, nor has the smothering wrap of coincidence. The corporal turns out to be none other than the illegitimate son of the French marshal, generalissimo of all the Allied armies (and presumably, therefore, a Faulknerian Marshal Foch). And where was the Christ-corporal born? In a stable...

Author: /time Magazine | Title: Books: Faulkner Passion Play | 8/2/1954 | See Source »

Married. Nina Foch, 30, blonde cinemactress (Executive Suite); and James Lipton, 29, TV soap-opera actor; she for the first time, he for the second; in Brooklyn...

Author: /time Magazine | Title: Milestones, Jun. 21, 1954 | 6/21/1954 | See Source »

Executive Suite (MGM) is loaded with enough big names to tear the marquee off the average movie house. William Holden, June Allyson, Barbara Stanwyck, Fredric March, Walter Pidgeon, Shelley Winters, Paul Douglas, Louis Calhern, Dean Jagger and Nina Foch-all appear in this adaptation of Cameron Hawley's bestselling novel about big businessmen locked in a grim struggle for power. And when all the stars together set up a fiercely competitive twinkle for attention, the moviegoer is apt to feel somewhat like a switchboard operator with ten calls blinking at once...

Author: /time Magazine | Title: Cinema: The New Pictures, may 10, 1954 | 5/10/1954 | See Source »

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