Word: fogg
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Dates: during 1910-1919
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...Gans will hold a conference on Municipal Government, speaking on "The Politics of the New Neighborhood" in Widener N at 4 o'clock. Dr. Osvald Liren, of Stockholm, will give the second of his series of lectures on "Giotto and His Followers" in the lecture room of the Fogg Art Museum at 4.30 o'clock. The subject of this lecture will be "The Frescoes in the Arena Chapel at Padua...
...Dolan '19, E. A. Douglas '17, W. Driscoll '18, A. C. Eastman '18, A. F. Elwell C., G. W. Emery '19, S. B. Fahey uC., M. Feehheimer '19, J. Feigl '19, N. Fell '17, W. A. Flagg '19, W. Fleming '17, E. P. Flickinger '18, W. F. Fogg '18, A. S. Foss '17, D. G. Foster '18, F. R. Foxcroft '19, J. D. Francis '19, E. M. Friedman '17, N. M. Friedman 1L., L. K. Garrison '19, H. J. Gay '19, A. Gifford '17, J. A. Goldthwaite '17, E. Goldstein '19, O. W. Graves 2G.B., H. S. Gray...
...Boston, will speak on "Critical Events in the Development of American Railway Systems" in Lawrence 18 at 3.30 o'clock. Dr. Osvald Siren, of Stockholm, will give the first of a series of lectures, open to the public, on "Giotto and His Followers," in the lecture room of the Fogg Art Museum at 4.30 o'clock. At the same time Professor R. M. Johnston will lecture on "The French Railroads during the War of 1870-71" in Emerson A. Professor H. C. Biedwirth '84 will address the Modern Language Conference on "Preparedness" and 'Efficiency' from the Point of View...
...recent acquisition to the Fogg Museum of Art is a loan exhibition of notable paintings which will be open to the public from January 17 to January 30. This exhibition is designed particularly to set before the students in Professor Post's course on Spanish Art, fine original examples of the work of some of the greatest artists about whom he has been lecturing. Particular emphasis is laid on the period when Spanish art was at its flood tide; that is, the 17th century. And yet, through the generosity and co-operation or the Museum of Fine Arts in Boston...
...activity as court painter, he produced almost exclusively portraits of the royal family and of Olivares. Of the latter, unfortunately only a limited number are extant; the balance were destroyed when Olivares fell into disgrace in 1643. Though Olivares is younger in the full length portrait now at the Fogg than in the famous equestrian Prado picture, the likeness between the two is striking. In the picture under discussion, the pose and expression are dignified and impressive. The massive black robed figure stands out against a perfectly painted gray background. The characteristic left hand rests on the hilt...