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Upstairs in the Fogg, past the Greek pillars and pseudo-marble walls where dusty portarits and Medieval paintings hang in somber tribute to Fine Art, lies the much more hip Busch Reisinger gallery, sporting Harvard's first and very worthwhile video installation exhibit...

Author: By Judith E. Dutton, | Title: Movement Meets Text | 3/23/1995 | See Source »

...first photography exhibit at the Fogg Museum in four years, which featured a select group of works from the collection of Davis Pratt, was mounted last month...

Author: By Alison D. Overholt, | Title: Art Museums Receive $2.5 Million Donation | 3/17/1995 | See Source »

When the British architect James Sterling first designed the building the pillars were constructed as the foundation for a pedestrian bridge to be built between the Sackler and the Fogg Art Museum across the street...

Author: By Amita M. Shukla, | Title: Architect Opposes Sackler Bolts | 3/10/1995 | See Source »

...Fogg Art Museum. Through April 2. "Chasing Shadows: Photographs from the Collection." The concept for the show is embedded in its title: it speaks to the unique qualities of photographic processes, to the history of the medium, and to the history of the collection under the stewardship of the late Davis Pratt...

Author: By Kelly T. Yee, | Title: At Harvard | 3/9/1995 | See Source »

...Edmonia Lewis and Henry Wadsworth Longfellow: Images and Identities," exhibit at the Fogg Museum shows an admirable interest in a nineteenth century artist who has been mostly forgotten by history. But the exhibition attempts to cover too much ideological ground, and unfortunately trivializes its subject. Edmonia Lewis, the first African-American woman to make her living as a sculptor, was the daughter of a Black father and a Chippewa Indian mother. Longfellow, though his reputation has been eclipsed by that of Walt Whitman in the past century, was the most famous living American poet of his time...

Author: By Daley C. Haggar, | Title: Images of Lewis & Longfellow | 3/3/1995 | See Source »

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