Word: fogged
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...careened the wrong way down a one-way street at full speed. As we neared the embassy, we heard a fusillade of shots from machine guns, semiautomatic rifles and pistols. Then came the thump of tear-gas canisters exploding and we were enveloped in a heavy, stinging fog. We jumped off and started crawling on our bellies toward the embassy's main gate, which a crowd was trying to burst through. I was swept into a group of about 15 people, who crashed the lock and surged into the compound. Suddenly several Khomeini men pushed through the crowd...
Throughout all this, Blake produces more fog than film. Nevertheless, there are two reasons to view Murder by Decree: Christopher Plummer and James Mason. As the detective, Plummer grows from insufferable know-all to a man of sympathy and dimension. As the good doctor, Mason shuttles cannily from pawky humor to utter bewilderment. He steals the picture, and if Holmes has any sense, he will remain blind to the theft. This delightful pair should be employed again in a more credible adventure than Murder by Decree. Conan Doyle suggests one in The Problem of Thor Bridge: "That of Isadora Persano...
...Senator Alan Simpson, 47, Virginia's John Warner, 51, New Hampshire's Gordon Humphrey, 38, Minnesota's David Durenberger, 44, South Dakota's Larry Pressler, 36, and Iowa's Roger Jepsen, 50, enjoyed their informal caucus. Says Simpson: "It clears away the fog...
...immense problem is that the primordial fireball destroyed all the evidence; the temperature of the universe in the first seconds of its existence was many trillion degrees. The blast obliterated all that went before. The universe was shrouded in a dense fog of radiation, which only cleared after 1 million years, leaving the transparent spangled space we see in the night sky now. The first million years are as concealed from us as God's face. There are many forms of knowing: science, experience, intuition, faith. Science proceeds on the theory that there is method in all mysteries...
...1930s under the spell of constructivism and Mondrian, and it pervades his later work. The viewer is always aware of material gently asserting itself: how the tobacco-brown hardboard, rubbed and glazed with a pow dery white or blue that clings to its sur face like fog to a headland or lichen to a rock, has the reality of paper as well as the metaphoric function of paint. The work is seldom fully abstract however. The predilection for landscape that runs through English art surfaced again in Nicholson soon after 1939, when he went to live in Cornwall. The mild...