Word: fogged
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Zero Visibility. After laboriously working their way up the mountain, the remaining seven climbers reached the 17,300-ft. level by Feb. 26. One day later, all seven tried a 3,000-ft. dash to the summit. They were forced back by "white-out"-zero visibility, caused by fog against the snow. Next day, three of the party-Art Davidson, Ray Genet and Dave Johnston-struck out again for the top, finally made it at 7 p.m., paused just long enough to bury Batkin's cap and started back down, only to run into a raging storm...
...outfitted with white carpeting and white Naugahyde upholstering. A onetime U.S. Army pilot who is now a traffic watcher for radio station WXYZ, Stutesman is one of a growing tribe of hardy newsmen (and women) who hop into a Cessna or helicopter in the early-dawn hours, brave snow, fog and smog to report the traffic below and watch for fastbreaking news stories like fires and explosions...
...workers trudged to their jobs, a heavy fog blanketed the bleak and grimy town. It hung suspended in the stagnant air while local businesses-steel mills, a wire factory, zinc and coke plants-continued to spew waste gases, zinc fumes, coal smoke and fly ash into the lowering darkness. The atmosphere thickened. Grime began to fall out of the smog, covering homes, sidewalks and streets with a black coating in which pedestrians and automobiles left distinct footprints and tire tracks. Within 48 hours, visibility had become so bad that residents had difficulty finding their way home...
Sulky Sun. On Dec. 5, 1952, a thick fog began to roll over London. Hardly anyone paid any attention at first in a city long used to "pea-soupers." But this fog was pinned down by a temperature inversion, and was steadily thickened by the soot and smoke of the coal-burning city. Within three days, the air was so black that Londoners could see no more than a yard ahead. Drivers were forced to leave cars and buses to peer closely at street signs to find out where they were. Policemen strapped on respiratory masks. The Manchester Guardian reported...
...Angeles. For the German satirical magazine Simplicissimus, he drew scathing, unsympathetic cartoons of prostitutes. Slowly, his vision of women softened to match their contours. As his nudes grew ever more evanescent in powdery pastels, they also waxed ever more erotic. "His palette is like a strip of fog," said another artist. In time, Pascin perfected the art of sfumato, the soft, smoky blending of tones from light into dark practiced by Da Vinci...