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After a second short, Flying Padre, fared no better, Stanley persuaded his family to put up $50,000 for a full-length feature called Fear and Desire, a story of four soldiers lost behind enemy lines. Unable to afford expensive fog machines, Director Kubrick at one point produced an illusion of fog with a California crop sprayer, almost asphyxiated cast and crew in a mist of insecticide. The picture, praised by the critics for its "visual power," was drowned in a downpour of public inattention. Killer's Kiss came next, a story about a pug and a floozy; financed...

Author: /time Magazine | Title: Cinema: The New Pictures, Jun. 4, 1956 | 6/4/1956 | See Source »

...Goya. Gropper is currently doing a series of prints entitled Capriccios, the way Goya did. The themes are aloofness, confusion, man being eaten by machines. when they don't look like Thomas Hart Benton, these prints take on a quality of pathos that is masterful. Figures in the Fog is one of the best...

Author: By Lowell J. Rubin, | Title: William Gropper | 5/23/1956 | See Source »

...most important function of Nürnberg was the amassing of a vast amount of firsthand evidence on exactly what activated the Third Reich. It was Hitler's idea that the whole Nazi organization would, like millions of its victims, dis, appear into Nacht und Nebel (night and fog) if he failed, and to.this end, just : before the finish of World War II, the records of his infamous regime were deliberately and almost totally destroyed. The International Military Tribunal, by collecting surviving documents, confessions of leading participants and the evidence of witnesses and victims, was able to circumvent this...

Author: /time Magazine | Title: Books: Out of Night & Fog | 5/14/1956 | See Source »

Material for the Memos. Northcliffe understated the case. The Post's reach goes beyond Capitol Hill and far deeper than the Senate subway. From Foggy Bottom to the fog on the Hill, Washington reaches for the Post as Broadway reaches for Variety or bankers for the Wall Street Journal...

Author: /time Magazine | Title: The Press: Guest at Breakfast | 4/16/1956 | See Source »

...school, which followed in the light footsteps of the French, remains undervalued. Yet museum directors-sensitive to a growing popular interest in American painting-have been snapping up such characteristic examples as Childe Hassam's Church at Old Lyme, Conn, and Maurice Prendergast's Sunset and Sea Fog (opposite...

Author: /time Magazine | Title: Art: The American Impressionists | 3/26/1956 | See Source »

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