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Word: foghorns (lookup in dictionary) (lookup stats)
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...FACES IN THE SENATE "THE GOOD MOUTH" "WE ELECTED A DEMOCRATIC WOMAN NAMED BARBARA AND SOMEBODY NAMED MIKULSKI, AND THE SENATE WON'T BE THE SAME FROM NOW ON!" THUS CROWED THE MARYLAND WINNER, A 4-FT. 11-IN. BUNDLE OF ENERGY WITH A VOICE LIKE A BALTIMORE HARBOR FOGHORN, ON ELECTION NIGHT. THE VICTORY CELEBRATION WAS INDEED HISTORIC: BARBARA MIKULSKI, 50, % THE GRANDDAUGHTER OF POLISH IMMIGRANTS, HAD SWEPT PAST REPUBLICAN LINDA CHAVEZ, 61% TO 39%, TO BECOME THE FIRST FEMALE DEMOCRAT...

Author: /time Magazine | Title: NEW FACES IN THE SENATE | 11/17/1986 | See Source »

Although the acting and special effects sometimes border on the maudlin, this production of Long Day's Journey Into Night is in general perceptive. We can almost hear the ominous lowing of the foghorn, almost sense the hovering fog which Mary finds so protective: "It hides you from the world and the world from you. You feel everything has changed and nothing is what it seemed to be. No one can find you or touch you anymore." While this play offers no solutions or hopes for this family, it is thought-provoking and, for the most part, a highly depressing...

Author: By Jane Avrich, | Title: Long Night | 3/9/1984 | See Source »

...floor and split into two unequal planes. Enter eleven dancers clad in black, red or white pajamas, their costumes slit wide to flash inner forearms and thighs. Slowly they start to spin, hop and shuffle in smooth synchronicity. Out of huge loudspeakers suspended from the ceiling comes the foghorn blast of a low note-like the opening of Strauss's Also sprach Zarathustra-played by a synthesizer; later the music rises in a blast of brass to a Brucknerian apotheosis...

Author: /time Magazine | Title: Dance: Minimalists 3 | 10/10/1983 | See Source »

...Neill does use--a bottle of whiskey, a wedding dress--more prominence. He also clarifies the meaning of O'Neill masterly use of sounds (the first discussion of the play concerns the father's snoring). For example, the coughing of the tubercular son, the footsteps upstairs, the interfering foghorn add ominous dimensions to the play's atmosphere...

Author: By Andrea Fastenberg, | Title: Dark Insights | 2/9/1983 | See Source »

...switch to electronics onstage. Many of the new houses are so big and poorly designed that an actor would have to bellow to be heard in the balcony. Some, like the Uris, where Annie is now playing, have such bad acoustics that, without a little help, even a foghorn would sound like a wheeze to someone sitting in the back row. There seems in fact to be a conspiracy to drown out the voice. Some composers have turned from strings and woodwinds to ever louder brasses and electronic instruments. Even Ethel Merman, who has the strongest pipes in the business...

Author: /time Magazine | Title: Show Business: Static over Theater Sound | 5/31/1982 | See Source »

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