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...House of Sand and Fog...

Author: By James K. Mcauley, CRIMSON STAFF WRITER | Title: Books to Read Over J-Term | 1/3/2010 | See Source »

...coming to life—the blocking distracts from the beauty of the restoration. The actors peer towards the audience at the “statue,” only to have Serena actually enter from behind the set’s giant garage door in a burst of fog, light, and gospel song. As the resurrection is the emotional climax of the show, this execution is both disappointing and baffling. The fourth wall is indeed broken, but perhaps not as Paulus intended; instead, the audience is taken out of the moment, wondering what the characters are staring...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: ART's "Best of Both Worlds" Unfortunate Misnomer | 12/7/2009 | See Source »

...Ismael’s cultish devotion to his missing wife. But it is also to maintain a kind of integrity, to supplant the inevitability of death with the logic of love, by marshalling “all the force and stubbornness of a light in the middle of the fog that men call hope...

Author: By Grace E. Jackson, CONTRIBUTING WRITER | Title: Violence Penetrates Society, the Psyche in ‘Armies’ | 11/20/2009 | See Source »

...best at the start of the day. Wake with the first rooster crow and head out for a morning walk. The fog rises, the dew burns off and the water buffalo are saddled up for work in the paddy fields. Stop off at the bakery on Don Det's northern tip, run by an Australian pastry chef, for a simple breakfast of cinnamon rolls or focaccia bread (and don't forget, at some point during your stay, to try the best pumpkin burger on an island full of imitators). You could then cross the bridge over to Don Khon...

Author: /time Magazine | Title: Next Time You're in ... Laos | 11/4/2009 | See Source »

...thick haze of melancholy floats above every page of the works of Turkish novelist Orhan Pamuk, settling amidst the words like fog over the Bosphorus. In his 2005 memoir “Istanbul,” Pamuk intersperses evocative personal reflections on the neglected city with monochrome images of rainy streets and crumbling minarets; his prose, with its concern for the visual over the intellectual, assumes the nostalgic intimacy of a forgotten postcard. The sadness of his characters merges inseparably with the troubled political and cultural landscape of Turkey: though both characters and nation stand on the brink of happiness...

Author: By Jessica A. Sequeira, CRIMSON STAFF WRITER | Title: Pamuk’s ‘Innocence’ a Stylistic Triumph | 10/23/2009 | See Source »

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