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...sabre and foil teams didn't fare as well for the men. The two teams combined for eight wins...

Author: By Will Bohlen, CONTRIBUTING WRITER | Title: Fencing Falls to Ivy Foes | 2/24/1998 | See Source »

...Shoemaker will finally get his dearest wish. When NASA's Lunar Prospector blasted off toward the moon last week, it carried a small capsule containing an ounce of Gene Shoemaker's ashes. On brass foil surrounding the capsule was an image of Arizona's Meteor Crater, where Shoemaker trained NASA's astronauts. After reaching the moon this week, the spacecraft will ease into a 63-mile-high orbit, peer down and begin a search for minerals, gases and any evidence of water. Then, some 18 months from now, Prospector will crash onto the lunar surface, carrying Gene Shoemaker's ashes...

Author: /time Magazine | Title: Eugene Shoemaker: Dancing On A Moonbeam | 1/19/1998 | See Source »

Helen Hunt plays Carol perfectly: more than just a foil for Nicholson's humor, she captivates both his and the audience's attention whenever on screen. Carol, struggling between her sick son, her job and unsatisfying relationships with men, is both desperate and dignified. The movie itself, like Melvin, seems to be falling a little bit in love with her. At times she holds the screen in silence for a moment and nearly stares Melvin into sensibility...

Author: By Erwin R. Rosinberg, CRIMSON STAFF WRITER | Title: It Doesn't Get Any Better Than This | 1/9/1998 | See Source »

Fifty years ago this week--shortly after lunch on Dec. 23, 1947--the Digital Revolution was born. It happened on a drizzly Tuesday in New Jersey, when two Bell Labs scientists demonstrated a tiny contraption they had concocted from some strips of gold foil, a chip of semiconducting material and a bent paper clip. As their colleagues watched with a mix of wonder and envy, they showed how their gizmo, which was dubbed a transistor, could take an electric current, amplify it and switch...

Author: /time Magazine | Title: ANDREW GROVE: MAN OF THE YEAR | 12/29/1997 | See Source »

Mick Spence's marvelous set is thoroughly grounded in the modern world. A tattered carpet and ratty furniture, well-worn books and food wrapped in aluminum foil surround the actors and evoke a well-kept but obviously lived-in living room. The center of the home and scene of most action, the living room, is like its inhabitants: a little worn, a little sad. The crucial placement of the television sets, necessary for Enda's frequent videotaped posthumous speeches, is well-conceived. The family TV set faces the actors; unobtrusive monitors above either side of the stage broadcast Enda...

Author: By Elizabeth A. Murphy, CONTRIBUTING WRITER | Title: Family Ties: Acting Highlights 'Red Roses' | 11/21/1997 | See Source »

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