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...greater and more memorable part of the concert, however, was dedicated to the technically more legitimate folk-song. In this realm, and particularly in several blues numbers, Bill demonstrated some fine guitar playing. For good measure, he included some calypso songs complete with audience participation ("ooonh!"). He has a pleasant voice, but it was rather overshadowed by Miss Baez's in several of their duets. Her legitimate folksongs were as exciting as her illegitimate songs were funny. Without trying to define just what it is that makes a folksinger better than the usual, finer than professional, suffice...

Author: By Robert H. Sand, | Title: Folkways | 3/3/1959 | See Source »

This year's concert was exemplary on all counts. The light pieces, such as the folk-song arrangements, were not trivial. The modern works showed effective vocal writing, especially Abraham Lincoln Walks at Midnight by Fenno Heath, conductor of the Yale Glee Club. The selections from Mozart's Zauberflote provided music which was almost so profound as to be out of place. And there were, of course, the football songs, about which any commentary would be superfluous, if not sacrilegious...

Author: By Paul A. Buttenwieser, | Title: Yale-Harvard Glee Clubs | 11/24/1958 | See Source »

...gypsy woman first sang the song to Folklorist John A. Lomax in Fort Worth, and in no time he made it one of the most famous cowboy songs in the land. Traveling in a model A Ford, with his young son Alan as an occasional companion, he took the song with him on his far-ranging folk-song safaris in the 1930's, twanged it at campfires and from college platforms. Two decades later in Dublin, carrying on his father's research, Alan Lomax heard Irish Folklorist Seamus Ennis sing an almost identical Irish lay about...

Author: /time Magazine | Title: Music: Just Folk | 9/22/1958 | See Source »

Music "Hunter Lomax has recorded Pygmies in the Middle Congo, basket weavers in France, geishas in Japan, Saturday night warblers in English pubs (but avoided Wales, which is "a tragedy; everything is Methodist hymns and Handel"). He has mapped the world folk-song families, found surprising links between them. The pinch-voiced, samisen-playing geisha finds an echo in the Spanish mountain-farm laborer thumping a ximbomba drum; "the lonesome, death-ridden American cowboy is a blood cousin to the raga singer in India...

Author: /time Magazine | Title: Music: Just Folk | 9/22/1958 | See Source »

...should go before somebody would be allowed to win $100,000. We teased first with a few $50,000 winners. In terms of showmanship, we had to work out the ideal timing and the ideal winner." The producers chose 70-year-old Mrs. Ethel Richardson of Los Angeles, a folk-song buff. For a switch, they decided the next big winner should be a young schoolboy. They settled on 14-year-old George L. Wright III of Manhattan...

Author: /time Magazine | Title: Television: The $60 Million Question | 4/22/1957 | See Source »

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