Word: folk
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...proxy Hizballah. Isaac Gerstman Tel Aviv When They Were in L.A. Canadian turned California dreamer Denny Doherty, a tenor and founding member of the successful but short-lived group the Mamas and the Papas, died last month. Way back in a different era, TIME sized up the folk-pop foursome when the performers were practically still just kids...
...Mamas and the Papas are two beards, a beauty and a Big Bertha. After knocking around the fringes of folk music separately for a few lean years, they joined forces in 1965 and made their first single, California Dreamin'. It went straight to the top of the best-seller charts, as did their next release, Monday, Monday. Papa John Phillips, 25, an Annapolis dropout, is the group's songsmith, and what his lyrics lack in depth his melodies make up in lilting appeal. Phillips' wife Michelle, a willowy ex-model, is the spiraling soprano; Denny Doherty, 24, sings a secure...
...flesh, and may not have caught him on TV either. For his home was not the dirt tracks of the U.S. or the impossibly green paddocks of Britain and Ireland, but a splendid racing complex set amid skyscrapers in Hong Kong's Sha Tin New Town. To the folk of Hong Kong, a Special Administrative Region of China, Silent Witness was a hero; to true followers of the turf, worldwide, a legend. Now, put to pasture, he deserves to be known for who he really...
There have been times, especially during the late 1990s tech boom, when some business folk in the area thought they had outgrown their rich uncle. But their post-2000 experience, when other tech centers floundered but northern Virginia boomed, taught them otherwise. "You had your stable base coming from government contracting, and then you had this explosion around telecom, IT and the Internet," explains former Virginia Governor Mark Warner, who was a co-founder of Nextel and later a venture capitalist. "Then, after the bubble burst, you had this unfortunate need to build a homeland-security industry...
...track that strays the farthest from the album’s gloom. Apart from Albarn and Danger Mouse, bassist Paul Simonon (of the Clash) contributes the most to the album’s feel. From the hopelessness of “Behind the Sun” to the electro-folk longing of “The Bunting Song,” his secure playing offsets the constant, aimless misery...