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Word: folke (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Guitarist for Student Folk Masses...

Author: NO WRITER ATTRIBUTED | Title: CANDIDATES FOR CLASS MARSHAL | 11/28/1979 | See Source »

...which usually extolls pacifism. Marley is a Rasta, a sect whose members believe they are the real lost tribes of Israel, and who revere Haile Selassie, former Ethiopian emporer, as their God. They smoke ganja ritually as a key part of their religion. Rastafarians have always been a peaceful folk. Marley's decision to endorse violence despite his Rastafarian commitment indicates how desperate he thinks the situation has grown in Jamaica...

Author: By J. WYATT Emmerich, | Title: Reggae Revolution | 11/20/1979 | See Source »

...1960s Capp soured on his liberal friends. Said he: "They seemed to me smug and sanctimonious." He traded in his old Establishment targets, like the baby-kissing Senator Jack S. Phogbound, and replaced them with the likes of Radical Folk Singer Joanie Phoanie, who sang of protest between mouthfuls of caviar, and S.W.I.N.E.-Students Wildly Indignant About Nearly Everything. A favorite target of campus hecklers, Capp received notoriety during a lecture tour in 1971, pleading guilty to attempted adultery after a woman student accused him of making indecent advances. As Capp became more conservative, Li'l Abner...

Author: /time Magazine | Title: Press: Mr. Dogpatch | 11/19/1979 | See Source »

Granted, show business folk have every right to politick. And politicians are entitled to use every self-serving gimmick that the law allows. Still, given the American tendency to worship stars, one may wonder whether eventually show business might be too casually accepted as an appropriate training ground for political leadership. The question is pertinent even if California's election of Actor George Murphy as a U.S. Senator is shrugged off as a typical West Coast aberration...

Author: /time Magazine | Title: Time Essay: The Political Show Goes On | 11/12/1979 | See Source »

...tradition of the predictable Fleetwood Mac song--strong, throbbing percussion, acoustic guitar, and lyrics often unintelligable and always accompanied by lots of "oooh-waahs" or "sha-la-las". True, there is some experimentation with different musical styles--"That's Enough for Me" sounds like an Appalachian hoedown with its folk banjo and "Yeah, yeah, y'alls" while "Not That Funny" is somewhat new wave with its synthesizer solos--but nearly all the cuts seem forced to fit into Fleetwood Mac's formulaic style. Tusk is from the same mold as Fleetwood Mac and Rumours, the other albums recorded...

Author: By Michael E. Silver, | Title: Driftwood of the '70s | 11/9/1979 | See Source »

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