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DIED. LONNIE DONEGAN, 71, Scottish rock and blues musician who in the 1950s introduced Britain to "skiffle"--a precursor to rock 'n' roll that combines folk, jug band, country, jazz and blues--inspiring musicians like John Lennon, Van Morrison and Pete Townshend; after a long battle with heart ailments; in Peterborough, England. Among his hits were Rock Island Line and Does Your Chewing Gum Lose Its Flavor (on the Bedpost Overnight...

Author: /time Magazine | Title: Milestones Nov. 18, 2002 | 11/18/2002 | See Source »

...Harvard at last,” the 1960s folk legend beamed to the 1,000-plus area fans packed into Sanders Theatre Friday night at WUMB Folk Radio’s 20th annual charity concert...

Author: By Susanne C. Chock, CONTRIBUTING WRITER | Title: Thousand Attend Garfunkel Concert | 11/18/2002 | See Source »

Helping to raise money for the country’s only all-folk radio station, Garfunkel—his big, frizzy brown mane peppered with gray—seemed comically out of place between Sanders’ marble statues...

Author: By Susanne C. Chock, CONTRIBUTING WRITER | Title: Thousand Attend Garfunkel Concert | 11/18/2002 | See Source »

When the first installment, The Sorcerer’s Stone was translated to film, it was decidedly not aimed at magic folk. Director Chris Columbus was charged with the onerous responsibility of introducing Rowling’s magical world and weaving in a plot involving the return of the evil Lord Volemort. In cramming in both necessary elements, the film felt like an animated stick figure, a conglomeration of bare bones allusions to the novel’s major dramatic moments that did not satisfactorily flesh out details. The production design, while otherwise superb, nearly crumbled under the weight...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: Every Little Thing He Does is Magic | 11/14/2002 | See Source »

When the first installment, The Sorcerer’s Stone was translated to film, it was decidedly not aimed at magic folk. Director Chris Columbus was charged with the onerous responsibility of introducing Rowling’s magical world and weaving in a plot involving the return of the evil Lord Volemort. In cramming in both necessary elements, the film felt like an animated stick figure, a conglomeration of bare bones allusions to the novel’s major dramatic moments that did not satisfactorily flesh out details. The production design, while otherwise superb, nearly crumbled under the weight...

Author: By James Crawford, | Title: Every Little Thing He Does is Magic | 11/13/2002 | See Source »

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