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...town where the high school band teacher (a brief role played with curt comic brio by Tom Noonan) shouts challenges at the students: "Do you have a sledgehammer in your heart? Are you ready to be my sledgehammer?" The hammers of hell beat in the hearts of these frosty folk; for Snow Angels, like a bunch of other films set in cold climates (The Ice Storm, The Sweet Hereafter, Affliction, A Simple Plan, Fargo, this year's Sundance winner Frozen River), is about people who will do anything to get warm, even if it means getting burned. Cheating on their...

Author: /time Magazine | Title: Snow Angels and Married Life: Wedded Blisters | 3/7/2008 | See Source »

...running bass line. The band’s real potential lies not its ability to work within its comfort zone, but in the ease with which it creates the unexpected. “Little Garcon,” the only purely acoustic track on the record, shows a folk side that really demonstrates the band’s artistic depth, not to mention some very cool stomp-and-clap percussion and the best vocals on the record. “Badonkadonkey,” which comes next, sort of sounds like a chopped-and-screwed version of some thrown-away...

Author: By Ross S. Weinstein, CONTRIBUTING WRITER | Title: Born Ruffians | 3/7/2008 | See Source »

...surprisingly bass voice. Although the songs were in a foreign language, the emotion in the soloists’ voices enveloped the audience in the universality of music.A similar contagion spread during the performance of the Kuumba Singers, a large-scale choir that explores the musical tradition of African folk songs, spirituals, and gospel. Their performance featured three distinct vocal groups, whose juxtaposed parts harmonized perfectly.Throughout the evening, Hancock shared a diverse array of personal anecdotes about everything from his wife, whom he met in Asia, to his Irish American roots, “where,” the musician joked...

Author: By Tiffany Chi, CONTRIBUTING WRITER | Title: Dancing to the 'Cultural Rhythms' | 3/7/2008 | See Source »

...musicians played compositions by Richard Wagner, Antonin Dvorak and George Gershwin, but it was the last piece that brought down the house. Arirang is a 600-year-old Korean folk anthem adored in both North and South, and the orchestra "played it beautifully," a beaming Mr. Kim pronounced. As the musicians left the stage, some turned and waved goodbye, and many in the audience reciprocated. The cheers then got louder and went...

Author: /time Magazine | Title: Notes Of Hope | 2/29/2008 | See Source »

When Liu Yuan started playing the sax, jazz was still seen as bourgeois and chord charts were hard to come by. Raised by folk-musician parents, he performed with Cui Jian, the father of Chinese rock, before dedicating himself--under the influences of John Coltrane and Miles Davis--to jazz. Now Liu's East Shore is the most promising venue in Beijing's budding jazz scene. Located on the banks of Lake Houhai, East Shore is a refuge from the trinket sellers and gaudy bars along the crowded shore. Its large windows give clear views over the water, and leather...

Author: /time Magazine | Title: The Best Jazz Club in Beijing | 2/29/2008 | See Source »

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