Search Details

Word: folks (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Dylan’s influence has spanned beyond the scope of folk, rock and blues music. In addition to selling over 57 million albums, Dylan is the only musician to ever have been considered for the Nobel Prize in Literature. This year, Harvard is even offering a freshman seminar titled “Bob Dylan,” taught by Professor of Greek and Latin Richard F. Thomas and focusing on the musical and literary significance of his work. This course, among the ranks of seminars on Goethe, Dickens and Rousseau, prompted a discussion around campus of the academic merit...

Author: By Akash Goel, CRIMSON STAFF WRITER | Title: Tangled Up In Books | 11/19/2004 | See Source »

...Michael Sullivan, a serious Dylan aficionado and graduate student who works closely with Thomas, who is also Chair of the Department of the Classics, says that it wasn’t until 1959, during Dylan’s only semester at the university, that he was exposed to the folk genre that would soon be inseparable from Dylan’s name...

Author: By Akash Goel, CRIMSON STAFF WRITER | Title: Tangled Up In Books | 11/19/2004 | See Source »

Dylan was greatly inspired by Bound for Glory, the autobiographical account of Woody Guthrie, a founding father of the American Folk Movement. He started playing coffee shops and even traveled cross country to visit the terminally sick Guthrie in a hospital in New York...

Author: By Akash Goel, CRIMSON STAFF WRITER | Title: Tangled Up In Books | 11/19/2004 | See Source »

Dylan’s popularity immediately took off after his ballad, “Blowin’ in the Wind,” was brought to a commercial audience by the folk trio Peter, Paul and Mary. Sullivan points out Dylan’s relevance to one of the greatest moments in the American Civil Rights movement by adding that Dylan was introduced at the March on Washington shortly before Martin Luther King’s famous “I Have a Dream Speech...

Author: By Akash Goel, CRIMSON STAFF WRITER | Title: Tangled Up In Books | 11/19/2004 | See Source »

According to Sullivan, “The protest songs as a genre rose up within this kind-of neo-folk movement in the U.S. that started in the late ’50s, but basically hit its crescendo in the early ’60s and which Dylan very self-consciously abandons in 1964. He got bored with the self-righteousness of the folk movement and sort of turned to his own experiment...

Author: By Akash Goel, CRIMSON STAFF WRITER | Title: Tangled Up In Books | 11/19/2004 | See Source »

Previous | 128 | 129 | 130 | 131 | 132 | 133 | 134 | 135 | 136 | 137 | 138 | 139 | 140 | 141 | 142 | 143 | 144 | 145 | 146 | 147 | 148 | Next