Word: folks
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...especially for Coogan, performing on the street renders one much more vulnerable than when performing in a concert setting. But Coogan grew to enjoy the challenge of attracting an audience and plans to play more often. This spring he hopes to expand his street performing repertoire by adding folk music.“I had people walking by and [I was] not knowing what they thought,” Coogan says. “It really took getting used to. When people did stop, it was really gratifying. In recitals people pay attention because it’s customary...
...told, 'Two or three months, and then you can go,'" he says. "But now it's almost one year." There are about 450 people in this camp, including 39 children under the age of 5. The families live in shelters made of palmyra thatch and corrugated iron, while single folk make do with tents. They are kept behind barbed wire near a road lined with baobab trees and bunkers and are under the constant guard of soldiers. "They are suspected because they come from the Vanni," says an aid official. "They could be LTTE...
...Ward isn't on your radar yet, he should be. The soft-spoken Portland, Oregon musician has released seven solo albums, toured with Norah Jones, co-produced a Jenny Lewis album, and recently teamed up with actress Zooey Deschanel to make one of the best folk-pop albums of 2008. Ward doesn't write songs so much as he makes melodies with words; the tunes will stick with you long after they've left your ears. His latest album, Hold Time, comes out Feb. 17. M. Ward talks to TIME about his songwriting process, living in Portland...
...considering it's mostly a glorified Facebook page. Why does Her Maj even need a website? She doesn't. As she explains on one of the crackling vintage radio addresses available on the royal YouTube channel, the point of being queen is to serve. It's we regular folk who need the website. In her munificence, she provides it. (See the 50 best websites...
Manhattan in the '60s was afizz with folk rock, Pop art and Abstract Expressionism. Soon it was afizz with Barthelme too--the New Yorker picked up on his strange genius and provided a very conventional venue for his very unconventional fiction. Barthelme wasn't interested in plots or characters. He confabulated his stories out of different strains of language--philosophy, psychology, scientific jargon, advertising, adventure stories--which he then crashed into one another, demolition-derby style, to demonstrate how hilariously inadequate they were for describing the world around us. In "Paraguay," for example, he employs the language of industrial production...