Word: folks
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...minutes inside the head of an intelligent rambler with a penchant for rhyming and a short attention span. With his tongue lodged firmly in his cheek, Green’s latest effort is neither earth-shattering nor disappointing. Green, whose career plodded steadily forward after he entered the anti-folk scene in 1998, has recently garnered a lot of face time because of his appearance on the “Juno” soundtrack with former Moldy Peaches bandmate Kimya Dawson. Green’s latest solo album may deliver a sarcastic shock or two to newer fans familiar with...
...Taking of Christ is notable less for the sorrowful figure at its center than for the jeering, crazed mob that surrounds him. The same menacing irrationality appears in disturbing later works such as The Burial of the Sardine and Procession of Flagellants - the former an attack on superstitious folk celebrations, the latter on Catholic ritual. In Goya's view, such misguided practices were invigorated by the upheaval...
...album is divided into two halves. The first six songs fall under the category of “Saturday Nights” and contain up-tempo beats and driving guitar riffs. The last eight songs, belonging to “Sunday Mornings,” have an acoustic, folk-inspired sound. When considered as a whole, the two halves form a distinctive album that is about partying with abandon in one moment and picking up the pieces of your life in the next. Gil Norton, whose past credits include efforts by the Foo Fighters, produced the first half, while Brian...
...Jewish center,” she says. “A good friend of mine had a book of Yiddish music, and we would all crowd around the piano, and we would sing all of these songs after dinner. I learned a lot of the folk songs that are in the show in Lithuania.”The idea to incorporate these songs into a single cohesive play has been percolating in Togut’s mind for a long time. “I started writing the script for the show my sophomore year, probably because I started finding...
...recording, “Attack & Release” utilizes a classic, almost theatrical album structure, and while previous albums simply opened and shut, here the band almost seems to be telling a story. The opening track, “All You Ever Wanted,” ambles like southern folk through a warm, strange, watery atmosphere, before building strength and catapulting skyward into symphonic ecstasy. The song’s coda grips urgently, with organs piling on climbing guitars, then slips away, ghostlike. Before there’s time to process the transition, the Keys start storming again, with...