Word: folks
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...Dylan, it was all to claim the crown of folkie purist. As he said in the spoken intro to "Bob Dylan's Blues": "Unlike most of the songs nowadays that are bein' written uptown in Tin Pan Alley -- that's where most of the folk songs come from nowadays -- this, this is a song, this wasn't written up there. This was written somewhere down in the United States." In fact, Dylan had kinship to those great songwriters, especially to the kids his age, at exactly this time, who were toiling away up in the Brill Building writing for Phil...
...studio sessions were portraits of a young man in a hurry. The first album was a fairly traditional folk album, with only two original songs; its main provocation would have been to Mitch Miller, whose easy-listening aesthetic was violated by Dylan's rasp and snarl. The second LP, The Freewheeling Bob Dylan, showed his instant, astonishing blossoming as a songwriter, with "Blowin' in the Wind," "Masters of War," "A Hard Rains A-Gonna Fall" and "Don;t Think Twice, It's All Right" (wow!), and his voice got stronger, more assertive, as if he was ready to fill...
...INSULT FOLK SINGER...
...lover (would-be or ex), to someone who crowded him by trying to be a friend or a fan, the protest in his tone turned personal and hostile. ("Just because you like my stuff, he famously said, "doesn't mean I owe you anything."") Long before he was a folk rocker, Dylan was the folk Rickles...
...songs was small. If pop approached the topic, it was usually an invitation to mutual hermitting. ("Let's get lost," Frank Loesser wrote and Mary Martin sang, "lost in each other's arms.") It's true that songs of emotional defiance had been a sub-genre of blues. In folk music, John Jacob Niles, the Kentucky balladeer with the dramatic delivery and the pure falsetto, had written "Go Away from My Window," covered by Harry Belafonte and Joan Baez - and adapted by Dylan...