Word: followings
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Dates: during 1960-1969
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...entire schedule, including Peyton Place and Big Valley, for a compote of four documentaries. The network will open its evening with No. 5 in Jacques Yves Cousteau's series of hymns to the sea. To Love a Child, a study of adoption's triumphs and travails, will follow. Kitty Le Champion will show the skier involved in snowless pursuits. As it happens, the last of the evening's documentaries should be first...
Cosmopolis is John Secondari's attempt to assay the urban crisis, and it is so successful that it manages to transform TV journalism into art. Editing shots of teeming Tokyo and sprawling Los Angeles so that they follow one another with a kind of rhythm, the producer-writer-narrator never lets his visiting experts stay on camera too long. Instead, Secondari uses the visual part of his program to show what the architects' voices are talking about. There after, he juxtaposes imaginative plans for cities of the future with the rot now growing at the cities' hearts...
...class of 1930 is a long generation out of Harvard, but as a Cambridge resident I follow student action with interest, especially through the CRIMSON...
...Hamburg State Opera under the guidance of Impresario Rolf Liebermann has developed into one of the most creative companies in the world. An opera composer himself (Penelope, School for Wives), Liebermann commissions two new operas a year, lets producers and directors follow their own imaginative flights. Currently, two new productions - a brilliant revival of Mozart's The Magic Flute and the premiere of Gian Carlo Menotti's first major stage work in five years - are proving the wisdom of such artistic generosity...
Olsen devotes more than the first third of Silence on Monte Sole to designing the set and lining up the cast for the tragedy to follow. In the balance of the book, the incidents of the massacre unfold with numbing predictability. Time and again Olsen describes how people escaped bullets by burrowing under the corpses of their families or playing dead. Once more he indirectly states one of the irreducible lessons of war: that the human body loses its integrity when struck by pieces of metal moving at high velocity...