Word: fonda
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Dates: during 1970-1979
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...rise. Marine Lieut. Colonel Arthur Brill walked into a bar in Manhattan's Grand Central Station, and the bartender, spotting his uniform, announced: "The first drink is on me." Brill was flabbergasted. That had not happened to him for years. "I'd like to see Jane Fonda and Tom Hayden take their tour today," he mused. Many more television programs and movies are being submitted to the armed services for consultation and technical advice. Marines are going to be good guys again on film. Says one officer: "We have learned there are some things in this world...
...name is Hallie Martin. She is played by Jane Fonda. She is a TV newshen, very chic, and ambitious for a big story, though looking for it in an unlikely place, the conglomerate's annual meeting at Caesars Palace in Las Vegas...
...show in which they're both appearing, past the dancing girls, past the hysterical director, through the audience, past the slot machines in the lobby and on down the Las Vegas strip. The scene is an outrageous assault on probability, but in its unexpectedness, it is a delight. Fonda's pursuit of Redford and the authorities' pursuit of all three fugitives are full of similar surprises, including a fine action sequence in which horse and rider twist and turn through town and countryside, eluding with skill and heart the mechanized klutzes who are after them. Here...
Still, the film probably works so well because of Redford. Oh, due credit to Fonda: here, in direct contrast to the development of a similar character in The China Syndrome, she moves from knowledgeability to vulnerability, and does it with the same winning grace. But Redford, making his first major appearance in almost four years, is in top form. He's a knothead, trying to disguise his essentially moral nature and his native shrewdness with a lot of good-ole-boy aw shucksing. There is tension, good observation and fine comic timing in his work...
...obvious both stars saw this film as a vehicle to advocate causes they care about, but they are good-natured about it. Writer Garland and Director Pollack had the sense to give Horseman the tone of a pop fable; they stress entertainment over preachment. A romantic intensity that Fonda and Redford might have generated is lost as a result; there could have been more electricity between the electric horseman and his lady. And Willie Nelson, the great country singer, is wasted in his first acting role. Still, there is not a more cheerful or engaging movie around these days...