Word: fondas
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Dates: during 1960-1969
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...have become as much a part of American tradition as those on which Ford originally drew. He has chronicled every conceivable part of the West, and his personal heroes are among the most fully realized characters in motion picture history: Doc Boone (Thomas Mitchell) in Stagecoach, Wyatt Earp (Henry Fonda) in My Darling Clementine, and the men that John Wayne played in She Wore A Yellow Ribbon, The Searchers, and The Man Who Shot Liberty Valance...
...heroine, Jane Fonda, has elected loving as her life pursuit. She devotes all her energies to it. She spends hours exercising, massaging, creaming, bathing, costuming. Vadim follows Miss Fonda with witty conscientiousness through these rites. But her soul is in her pursuit, and the director shows that without joking. At one point she tries to drown herself because she fears the stepson (Peter McEnery) has given her up. She rescues herself at the last moment and lies fur-coated on the stones. Water drips and glistens on the fur. The image is of an animal at once sleek and suffering...
...never lets the celebration sink into earthiness. The movie's like a Greek myth where the protagonists are not garden-variety nymphs--they're Olympic deities. The director of photography, Claude Renoir, maintains the splendor. When Miss Fonda and McEnery make love within glass walls, he catches their undulating yellow reflection. When they make love in a grotto, he touches the French greenery with junglelike lushness. He creates out of Vadim's always bizarre locations (waterfall, soccer match, duck pond, crumbling villa, go-go costume party) a continuous paradise. The movie seems all grass and gold...
...cast fits perfectly. Jane Fonda embodies the best of two movie cultures. She's American perkiness and French sensuality. McEnery is what he should be -- a teddy bear, solid, but not quite sure of himself. Tina Marquad, the jeune fille he might marry, is just cheeky enough. Michel Piccoli as the husband is intractable and believable...
...bemused, workaday spy Harry Palmer in The Ipcress File shot him to sudden international splendor, Caine, 33, has appeared in four films, of which three-Funeral in Berlin, Alfie and Gambit-are among the nation's top box-office draws. A fifth picture, Hurry Sundown, with Jane Fonda, opened last week in Los Angeles. Now in Finland filming another Harry Palmer adventure, Billion-Dollar Brain, Caine carries enough professional clout to order the movie shot upside down if he chooses...